Marcel Mangel/Marceau (1923-2007), the legendary mime, was born in Strasbourg on the German border and raised in Lille until WW2. There he was introduced to music and theatre by his Polish father, Charles Mangel, who was a kosher butcher and a supporter of arts and music. His mother was Anne née Werzberg, from Ukraine.
Anne took young Marcel to a Charlie Chaplin's movie, and he immediately decided to become a mime! Young Marcel, fluent in French, German and English, was also fond of art and literature. At the beginning of WW2, he had to hide his Jewish origin when his family was forced to flee their home. Marcel and his brother, Alain, both joined the French Resistance, and assumed false identities. He changed his name to Marceau, to honour a famous Napoleonic general.
Inside the French Resistance, Marceau posed as a Boy Scout director and evacuated a Jewish orphanage, children who had lost their parents in the deportations. He first convinced the children in eastern France that they were going on a hiking vacation in the Alps. Then he guided them to safety in Switzerland. During the dangerous trip, he charmed the children with silent pantomime and they adored him.
Marceau’s talent of mimicry also may have saved his own life during the war, when he ran into a unit of 30 German soldiers. The mimic pretended to be an advance guard of a larger French force and convinced the Germans to retreat. Alas Marcel couldn’t save his father. The Vichy police came and deported him to Auschwitz, where he died.
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After Aug 1944, when Paris was liberated, his first big show was in an army tent for 3,000 American soldiers. And as he spoke three languages fluently, he served as a liaison officer with General Patton. Marceau also served as interpreter for the Free French Forces under General Charles de Gaulle, acting as liaison officer with the allied armies.
Marceau had always dreamed of becoming a painter and was educated in an art school in Limoges. Even at 19 he felt his profession was painting and that mime was his hobby. Nonetheless Marceau decided that he would “make theatre without speaking.” It made sense; France had long had a strong mime tradition. In 1946, he enrolled as a student in Charles Dullin's School of Dramatic Art at the Sarah Bernhardt Theatre in Paris. There his great mime teacher was Etienne Decroux, whose partner Jean-Louis Barrault cast Marcel Marceau in the role as the clown Pierrot.
In 1947, blending the gestures of the clown Pierrot, Charlie Chaplin, Buster Keaton and the Marx Brothers, Marceau created his most famous mime character, Bip, a white-faced clown with a tall, battered opera hat, striped jersey and a red flower. A solitary figure on stage under a spotlight, his white face below the battered hat flickered between emotions as if someone was controlling his masked face. The act seemed to take itself so seriously as to be ridiculous. But the audience believed it.
He had to bring hope to people who had struggled. Marceau alluded to his character’s dark origins, saying the people who came back from the concentration camps were never able to talk about it. Perhaps that unconsciously contributed towards his choice of silence. You see the pain and the sadness in his mime skits, the origin of the pain being the deportation of his father.
Marceau’s Bip increased the appreciation of mime outside France. Marcel shone in a range of characters, from an innocent child, to a peevish waiter, to a lion tamer and an old woman, and became acknowledged as one of the world's finest mimes. He could show a metamorphosis of an entire human life, in just a couple of minutes, from birth to death. Marcel’s classic silent works included satires on artists, sculptors, matadors, works of genius. Marceau also played several silent film roles.
In the early 1950s, Laurel & Hardy were doing a world tour and, while playing in Paris, they were told that Marceau was doing incredible mime in a minor suburban theatre. They went to see him and loved his work. A few days later, instead of doing the second half of their own show, Laurel & Hardy introduced Marceau, walked offstage and gave the rest of their programme over to the Frenchman.
After performing in Jean Louis-Barrault's troupe, Marceau set up his own company, and staged 26 dramas. He received no subsidy, so he had to raise the funds for his productions by international tours. He have given performances on all five continents, with particular success in the USA and Japan, and appeared many times on tv.
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His Art of Silence filled a remarkable acting career that lasted 60+ years. Finally he lived on a farm in Cahors, near Toulouse, where he continued his daily routine to stay in good form and continued coaching his students.
Marcel Marceau died in Sept 2007. His burial ceremony, in Pere Lachaise Cemetery Paris, was accompanied by Mozart and JC Bach music. Marceau's costumes and belongings were sold for $700,000 at a Paris auction, including his famous top hat, sailor suit, paintings & art objects. Part of the profits paid off Marcel's debts left after his death and many of the objects were acquired by the National Library.
Anne took young Marcel to a Charlie Chaplin's movie, and he immediately decided to become a mime! Young Marcel, fluent in French, German and English, was also fond of art and literature. At the beginning of WW2, he had to hide his Jewish origin when his family was forced to flee their home. Marcel and his brother, Alain, both joined the French Resistance, and assumed false identities. He changed his name to Marceau, to honour a famous Napoleonic general.
Inside the French Resistance, Marceau posed as a Boy Scout director and evacuated a Jewish orphanage, children who had lost their parents in the deportations. He first convinced the children in eastern France that they were going on a hiking vacation in the Alps. Then he guided them to safety in Switzerland. During the dangerous trip, he charmed the children with silent pantomime and they adored him.
Marceau’s talent of mimicry also may have saved his own life during the war, when he ran into a unit of 30 German soldiers. The mimic pretended to be an advance guard of a larger French force and convinced the Germans to retreat. Alas Marcel couldn’t save his father. The Vichy police came and deported him to Auschwitz, where he died.
Marcel Marceau as Bip, the white-faced clown
with a tall opera hat, striped jersey and red flower
Marceau had always dreamed of becoming a painter and was educated in an art school in Limoges. Even at 19 he felt his profession was painting and that mime was his hobby. Nonetheless Marceau decided that he would “make theatre without speaking.” It made sense; France had long had a strong mime tradition. In 1946, he enrolled as a student in Charles Dullin's School of Dramatic Art at the Sarah Bernhardt Theatre in Paris. There his great mime teacher was Etienne Decroux, whose partner Jean-Louis Barrault cast Marcel Marceau in the role as the clown Pierrot.
In 1947, blending the gestures of the clown Pierrot, Charlie Chaplin, Buster Keaton and the Marx Brothers, Marceau created his most famous mime character, Bip, a white-faced clown with a tall, battered opera hat, striped jersey and a red flower. A solitary figure on stage under a spotlight, his white face below the battered hat flickered between emotions as if someone was controlling his masked face. The act seemed to take itself so seriously as to be ridiculous. But the audience believed it.
He had to bring hope to people who had struggled. Marceau alluded to his character’s dark origins, saying the people who came back from the concentration camps were never able to talk about it. Perhaps that unconsciously contributed towards his choice of silence. You see the pain and the sadness in his mime skits, the origin of the pain being the deportation of his father.
Marceau’s Bip increased the appreciation of mime outside France. Marcel shone in a range of characters, from an innocent child, to a peevish waiter, to a lion tamer and an old woman, and became acknowledged as one of the world's finest mimes. He could show a metamorphosis of an entire human life, in just a couple of minutes, from birth to death. Marcel’s classic silent works included satires on artists, sculptors, matadors, works of genius. Marceau also played several silent film roles.
In the early 1950s, Laurel & Hardy were doing a world tour and, while playing in Paris, they were told that Marceau was doing incredible mime in a minor suburban theatre. They went to see him and loved his work. A few days later, instead of doing the second half of their own show, Laurel & Hardy introduced Marceau, walked offstage and gave the rest of their programme over to the Frenchman.
After performing in Jean Louis-Barrault's troupe, Marceau set up his own company, and staged 26 dramas. He received no subsidy, so he had to raise the funds for his productions by international tours. He have given performances on all five continents, with particular success in the USA and Japan, and appeared many times on tv.
Marcel Marceau's own art work
Bip and the Silent Outcry (above)
and
Self Portrait with a Butterfly (below)
Self Portrait with a Butterfly (below)
Marceau asked the French authorities to help him prevent the art of mime from disappearing. He received a subsidy from the City of Paris and he was able to set up his own Marcel Marceau International School of Mime and Drama in Paris in 1959, which provided training courses in dance, fencing, acrobatics and drama, and was attended by students from many countries. Later he also opened the Marceau Foundation to promote pantomime in the USA.
His Art of Silence filled a remarkable acting career that lasted 60+ years. Finally he lived on a farm in Cahors, near Toulouse, where he continued his daily routine to stay in good form and continued coaching his students.
Marcel Marceau died in Sept 2007. His burial ceremony, in Pere Lachaise Cemetery Paris, was accompanied by Mozart and JC Bach music. Marceau's costumes and belongings were sold for $700,000 at a Paris auction, including his famous top hat, sailor suit, paintings & art objects. Part of the profits paid off Marcel's debts left after his death and many of the objects were acquired by the National Library.