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Charmian Clift, George Johnston and Leonard Cohen, 1960s trailblazers on a Greek island.

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Hydra Harbour

Charmian Clift (1923–69) was born & raised near Sydney while George John­ston (1912-70) was born & raised in Melb­ourne. They married in 1947 and soon were on the well-worn trek of young Australians to London.

In 1951 Clift and Johnston left grey, post-war London for Greece. Set­tling first on the tiny island of Kalymnos and then Hydra, their plan was to live simply and focus on their writing. The result was two of Charmian Clift's best known and most loved books, the memoirs Mer­maid Singing and Peel Me a Lotus.

Peel Me a Lotus told of their move to Hydra where they bought a house and cop­ed with chaotic dom­estic life and three small children. The old well outside the walled garden was where the local women gathered wat­er. It looked so lovely it was easy to forget the poverty and hard work, the difficulties of bringing up children in sparse conditions, and the ominous evidence of Johnston’s emerging TB. But her nov­el was clearly set among the art­ists’ col­ony of which she and George were the undisputed leaders. At the same time, they were becoming the centre of an informal community of art­ists and writers, including other Austral­ians, Brits, Canadians, Americans, Germans, Scandinavians and Greeks.

George Johnston and Charmian Clift with their family on Hydra

The Johnson family home
and community well in the square

Clift painted an evocative picture of the characters and sun-drenched rhythms of traditional, quiet life. The fascination with Hydra arose perhaps from the great Greek artist Nikos Gikas' beautiful paintings of his ancestral island.

Canadian musician Leonard Cohen(1934–2016) was inspired by George John­ston & Charmian Clift’s writing and lifestyle when he visited the Greek island of Hyd­ra in 1960. Cohen soon became their lodger, with his Nor­wegian girl­friend Marianne Ih­len (1935–2016); they invited him to stay and to work on their terrace. The Johnstons were doing ex­actly what Cohen hoped to do, living by their writing. In their de­cade in Greece, they published 14 books between them but finances were very tough. Cohen reported that the Austral­ians “drank more than other people, they wrote more, they got sick more, they got well more, they cursed more, they blessed more, and they helped a great deal more. They were an inspiration.” On Hydra, Johnston took a pen to the fresh manuscripts that young Leonard brought him, and taught him the value of fierce editing. It was he who encouraged Cohen to play his first concert of his own material.

Leonard Cohen playing music for Charmian 
in Hydra

Charmian's book: Peel Me A Lotus

George John­ston wrote his excellent novel My Brother Jack (1964), a story of inter-war Melbourne. The plot copied the true murder story of 25-year-old schoolteacher, novelist and Boh­emian Mollie Dean, mistress of artist Colin Colahan. George Johnston never met the victim; only 20+ years af­ter the ev­ents did he become close to Cola­h­an. His book won the Miles Franklin Award in 1964, prov­iding enough money for George to return home; Charmian and their three children followed by ship as £10 migrants. The novel was serial­ised for the ABC in 1965.

Through her columns in Australia, Clift advocated for a bolder, more outward looking future; as someone who was naturally cosmopolitan, she was keenly interested in seeing Australia become more open to the world and bet­t­er integrated into the Asia-Pacific. She raged against compl­ac­ency! Sadly Clift suic­id­ed in 1969, an event that ended her voice while leaving behind thous­ands of loyal readers. George tragically died a year later from T.B.

There had been biog­raphies writ­ten about the Hydra expats and they wrote about the island them­selves. Now a new book has shown that there was more to be said. Half the Perfect World. Writers, Dreamers and Drifters on Hydra: 1955-1964 (published 2018).

Half the Perfect World. Hydra
by Paul Genoni and Tanya Dal­ziell, 2018

Genoni added that writing Half the Perfect World got lucky when they dis­cov­ered a cache of 1500 photographs taken on the island by James Burke, a Life magazine photographer who was an old friend of Johnston. The best-known photo showed Leonard Cohen playing guitar with Clift and others under the olive tree at Douskos Taverna.

Years later, Cohen dedicated his 1980 Sydney performance to George Johnston and Charm­ian Clift who taught him how to write, opening with the Hydra-inspired song Bird on a Wire. And his mournful song So Long, Marianne which he’d written for Marianne Ihlen during their Hydra era




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