Frick home in Pittsburgh
later the Frick Art & Historical Centre
Frick home and gallery in New York
Taking advantage of the difficult times after the Financial Panic of 1873, Frick expanded his business, funded by brokering the sale of a local railroad to the Baltimore and Ohio Co. The US was at the peak of a massive railway building project, needing much iron and steel. In order to smelt iron efficiently, coal was transformed into carbon-rich coke in huge ovens. The area around Pittsburgh, which contained the richest American coal seam, became the centre of a massive mining and coking industry, supplied by Frick!
Frick soon moved to Pittsburgh, establishing residence in the prosperous Homewood suburb after marriage in 1881 to Adelaide Howard Childs, daughter of a boot maker. Soon after, Frick met steel magnate Andrew Carnegie (1835–1919), beginning a long, integrated business relationship. In 1882, Frick reorganised the firm into H.C Frick Coke Co with huge assets and a stock issue of 40,000 shares.
Henry Clay Frick
The Fricks' first home was an 11-room, 2.5 storey house bought in Aug 1882. This Italianate residence was later remodelled into a 23-room, 4-storey Loire château, later becoming the Frick Art & Historical Centre.
In 1889 Frick became chairman of Carnegie Brothers and Co. steel business. He introduced major improvements and bought out Carnegie’s chief competitor, Duquesne Steel Works. He was responsible for building Carnegie into the largest manufacturer of steel and coke in the world.
NB a historic scandal. The South Fork Fishing & Hunting Club counted many of Pittsburgh’s leading industrialists and financiers in its 61 members, incl Andrew Carnegie, Henry Frick and Andrew Mellon. There was an initiative to convert a former public dam in Pennsylvania into an elite luxury resort, the South Fork Fishing and Hunting Club. The dam’s height was lowered when building a road over it, and safety requirements were ignored on Club members' command. In May 1889 endless rain burst the dam, drowning the down-river community of Johnstown and its 2,200 people. An investigation by the American Society of Civil Engineers allocated no fault. No-one at the Club was gaoled, nor did they pay damages to working class families who lost relatives and homes.
Next Frick tried to destroy the most important element of my political life: using his skills to prevent workers in the coking industry from unionising. Labour in steelworks was more organised, but Frick undercut unions in his factories. This led in 1892 to a key conflict in the history of American labour between the Amalgamated Association-AA of Iron and Steel Workers and the Carnegie Steel Co. To counter union demands for a raise, Frick threatened to cut wages just when steel prices were high.
In July 1892 workers at Carnegie Steel Co.’s Homestead Works went on strike. Until they refused to come back to work, Frick locked the workers outside. An army of 300 strike-breakers from Pinkerton National Detective Agency were brought in to guard the mills, turning Homestead into a war-zone. In the ensuing Battle, many steel workers were killed or injured, quelled only by the intervention of the National Guard. Martial law was declared and the plant resumed operations with the starving workers still picketing.
Frick's actions in the Battle resulted in attempted murder. In July 1892, Frick and the Carnegie Steel vice-president were talking in Frick's office when Russian anarchist Alexander Berkman rushed in. Berkman pulled a revolver and shot Frick to the floor; then Berkman aimed again. John Leishman protected Frick and forced Berkman to miss his target, so he tried stabbing the wounded Frick. Leishman went after Berkman who was grabbed by the local sheriff. Frick survived and public sympathy for the strikers collapsed.
In 1900, J.P Morgan consolidated both Carnegie Steel Co. and H.C Frick Co. into US Steel Corporation, with Frick as director. Because of his body pain, the position was the end of Frick's long career.
Art Collection
Frick had neither a great education nor art-loving friends, yet having seen the best art in Europe during his trips, his eye grew astute. This was an era when Europe’s aristocrats were declining in fortune, even as American businessmen grew very prosperous. Art crossed the Atlantic!
Frick’s New York mansion, bought in 1905, was specifically designed to house the collection. It was to be a gallery that would encourage the public’s study of fine arts. And he added $15 million for maintenance.
Other industrialists built private collections, but they often outsourced buying works to expert advisers. Frick made his own art choices eg Giovanni Bellini, Hans Holbein II, Diego Velázquez, Rubens and Fragonard. And 3 striking works by Johannes Vermeer.
Girl Interrupted at Her Music,
Johannes Vermeer. Wikimedia Commons
By his 1919 death, Frick had left $15,000,000 and his Fifth Ave home to establish the Frick Collection: paintings, bronzes & enamels he’d long collected. The Frick Collection is one of my favourite museums, created by a largely self-made man in a fine New York treasure! And Frick's philanthropic activities were important. He bequeathed the sizable Frick Park to Pittsburgh and gave to Princeton Uni.
But the real story might be of a robber baron, a ruthless industrialist. Clearly if art has a moral purpose i.e to make art lovers responsible citizens, Frick showed otherwise. If we are to value art at all, it must be largely on its own terms, rather than as a function of the owner’s morality or politics.