I have two important reasons for focusing on Neil Simon. Firstly my family life seemed to replicate his: Russian parents, Jewish, Yiddish-speaking, impoverished in the Great Depression and very keen on tertiary education. Secondly I saw every American play and musical in the 1950s and early 60s, but didn’t enjoy the experience until Neil Simon’s works started arriving in Australia.
Neil Simon (1927–2018) was born and grew up in Manhattan, where he lived with his Russian parents and his older brother Danny. His parents were not happy together, made worse by financial hardship caused by the Great Depression. The two boys were sometimes forced to live with various aunts and uncles, instead of in the family home. Needless to say, Danny and Neil took refuge at the cinema as children, finding particular delight in comedies.
After returning home, Neil started work at Warner Bros, Manhattan. His career-starter came when he and Danny created a sketch for radio producer Ace Goodman (son of Latvian Jews), launching them as a comedy-writing team. The brothers soon began writing material for stars like Milton Berle (son of Russian Jews) and Jackie Gleason.
In the early 1950s, Neil and Danny Simon joined an all-star writing cast, along with the other Jewish lads in America who were involved in comedy eg comedian Sid Caesar (son of Polish Jews) in his television series. It also included Mel Brooks (son of German and Russian Jews), Woody Allen (grandson of Russian and Austrian Jews) and Carl Reiner (son of Austrian and Romanian Jews).
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The playwright died from pneumonia and Alzheimer’s at New York Presbyterian Hospital in Manhattan in 2018. I recommend and thank Susan Fehrenbacher Koprince’s book Understanding Neil Simon, 2002, South Carolina Press.
Neil Simon (1927–2018) was born and grew up in Manhattan, where he lived with his Russian parents and his older brother Danny. His parents were not happy together, made worse by financial hardship caused by the Great Depression. The two boys were sometimes forced to live with various aunts and uncles, instead of in the family home. Needless to say, Danny and Neil took refuge at the cinema as children, finding particular delight in comedies.
Neil studied for a short time before signing up for the Army Air Force Reserve, then served as a sports editor for the Lowry Field Base newspaper. He studied at the University of Denver, until he was demobilised in 1946.
After returning home, Neil started work at Warner Bros, Manhattan. His career-starter came when he and Danny created a sketch for radio producer Ace Goodman (son of Latvian Jews), launching them as a comedy-writing team. The brothers soon began writing material for stars like Milton Berle (son of Russian Jews) and Jackie Gleason.
In the early 1950s, Neil and Danny Simon joined an all-star writing cast, along with the other Jewish lads in America who were involved in comedy eg comedian Sid Caesar (son of Polish Jews) in his television series. It also included Mel Brooks (son of German and Russian Jews), Woody Allen (grandson of Russian and Austrian Jews) and Carl Reiner (son of Austrian and Romanian Jews).
Used to be Alvin Theatre and is now Neil Simon Theatre, New York
Mayor Ed Koch, Neil Simon and actor Matthew Broderick, 1983
Credit: National Post
Here is something I did not know. Neil’s brother Danny wrote for many television shows including Phil Silvers Show, My Three Sons and The Carol Burnett Show.
Neil was a prolific writer, whipping out successful plays and screenplays at a rapid rate. Mostly his audiences were precisely the sort of people he wrote about: upwardly mobile, urbane New York Jews. These were people still close enough to their humble immigrant roots to appreciate having them sifted for earthy humour, but comfortably assimilated into the New World.
And note Walter Mathau (son of Ukrainian Jews) who starred in 3 brilliant Simon comedies. The Odd Couple 1968 written by Neil Simon, was based on his play of the same name. The screenplay for Plaza Suite 1971 was based on Neil Simon’s 1968 play of the same title. The Sunshine Boys was a 1975 film based on the play by Neil Simon, about two old cranky comics brought together for a reunion.
In 1966 and into 1967, Simon had four shows playing at Broadway theatres simultaneously: Odd Couple, Sweet Charity, Star-Spangled Girl and Barefoot in the Park. How did he expend that much energy?
Neil was a prolific writer, whipping out successful plays and screenplays at a rapid rate. Mostly his audiences were precisely the sort of people he wrote about: upwardly mobile, urbane New York Jews. These were people still close enough to their humble immigrant roots to appreciate having them sifted for earthy humour, but comfortably assimilated into the New World.
And note Walter Mathau (son of Ukrainian Jews) who starred in 3 brilliant Simon comedies. The Odd Couple 1968 written by Neil Simon, was based on his play of the same name. The screenplay for Plaza Suite 1971 was based on Neil Simon’s 1968 play of the same title. The Sunshine Boys was a 1975 film based on the play by Neil Simon, about two old cranky comics brought together for a reunion.
In 1966 and into 1967, Simon had four shows playing at Broadway theatres simultaneously: Odd Couple, Sweet Charity, Star-Spangled Girl and Barefoot in the Park. How did he expend that much energy?
Simon also adapted material written by others for his plays eg the musical Little Me 1962 from a novel, Sweet Charity 1966 from a screenplay and Promises Promises 1968 from a book. The film version of The Prisoner of Second Avenue 1975 was produced & directed by Melvin Frank (Jewish parents) from a Simon screenplay.
Wisely Simon focused on his own life experiences in later stories, with settings in working-class New York homes that he grew up in. In 1983, he began writing autobiographical plays: Brighton Beach Memoirs 1983, Biloxi Blues 1985, Broadway Bound 1986 and Lost in Yonkers 1991. Jewish family life became more explicitly visible in these autobiographical works!
Simon may not have been the most fashionable playwright, nor was he a political or experimental writer, as he stated; he didn't write social and political plays because he always thought the family was the microcosm of what happened in the world. But his work was warm, personal, comical and brilliantly crafted.
Without The Odd Couple or The Goodbye Girl, or other stories about mismatched people being thrown in flats and bars together, there would have been no sitcoms. No Friends, no Seinfeld, no Golden Girls, no Cheers, and no New Girl! Neil Simon invented the dominant form of American comedy! His own list of credits was amazing and his impact on other shows was amazing.
Neil Simon’s Brighton Beach Memoirs,
Nederlander Theatre NY, 2009
Simon was awarded four Tony awards, Pulitzer Prize, Kennedy Centre honours 1995 and Writers Guild of America awards. In 1983, an old established Broadway theatre was renamed after him.
Note the connection between Simon’s wives and the industry. His first wife, Joan Baim, died of cancer in 1973 after 20 years of marriage. Simon dealt with her death in Chapter Two 1977, telling the story of a widower who started anew. He also married actress Marsha Mason, who had appeared in his stage comedy The Good Doctor and who went on to star in several films written by Simon.
The playwright died from pneumonia and Alzheimer’s at New York Presbyterian Hospital in Manhattan in 2018. I recommend and thank Susan Fehrenbacher Koprince’s book Understanding Neil Simon, 2002, South Carolina Press.