Bruges (pop 120,000) was founded in the north of Belgium in the C9th by Vikings who settled locally. A town developed around the fortress that the Counts of Flanders built in the area and the young settlement worked hard to acquire city rights. In fact a very protective city wall was built around Bruges, with solid gates.
The settlement very quickly became an important harbour close to the North Sea. Inside the city, the river and canals became the vital communication links. By the C14th Bruges was the starting point of a commercial transport road to the Rhineland; traders from all over came to sell their products and to buy Flemish cloth.
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St Saviour’s Church was founded in C10th and added to later eg the high altar is C17th. Serious fires may have been the result of wars, accidents or iconoclastic destruction. But some lovely part of this church still stand: C15th choir stalls with the Knights of the Golden Fleece’s arms, organ, cloisters and treasury.
The Beguinage was founded by Margaret of Constantinople, countess of Flanders in the mid C13th. Some women were the bereft widows or daughters of knights killed in the Holy Crusades, women who did not want to be secluded nuns but who wanted to do good works. The Beguinage is still a green space and lovely whitewashed houses; the Beguine Museum enables visitors to feel the C13th.
Markt Place is a central, large square used for all social and political activities. On one side, the medieval belfry looms 272' over Markt Place, the proud symbol of the wealth of Bruges since 1282. And there were renovations added during C15th glory days. Inside the belfry, see the treasury room; then up 366 steps, past the C18th carillon and onto the roof. The 47 bells chime each day.
On the east side of the square is the neo-Gothic Provincial Palace. From 1850, it was used to house the provincial government meetings. Then it became a government meeting hall and now a ceremonial building-exhibition space.
The Basilica of the Holy Blood (mid C12th) was built on the site that the First Count of Flanders built his fort. It didn't become a chapel until the bones of St Basil the Great AND Holy Blood of Jesus Christ were brought from the Holy Land or Constantinople (C12th). The ground floor of this double church has its original darkish Romanesque character, while the upper chapel is a totally Gothic storey built in the C15th.
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Next door is the more classical Palace of Justice. Except for the Magistrates’ Hall, the first building was destroyed. The Palace was rebuilt in the 1528-81 period. Other buildings in Burg Square are the Provost's House and the Old Recorder's House, a fine renaissance building topped with statues representing justice.
And see the Church of Notre Dame. Work began on the nave and aisles in c1230 but, typically, more changes were made in the 14th and C15th. The huge tower is 122ms high! Inside Notre Dame Church is Michelangelo's only known sculptural piece in Belgium, Virgin and Child 1504 in marble. It was brought from Tuscany by a Flemish merchant.
Opposite Our Lady Church is St John’s Hospital, founded in 1188 and one of the oldest in Europe. It still functions as a hospital today, but a dispensary and an old ward have been fitted out as they were back then. In one of the hospital’s old chapels the Hans Memling Museum is located. This artist spent most of his career in Bruges.
Among the amazing collection of Memling paintings to be found in Bruges is the altarpiece called The Mystic Marriage of St Catherine 1479, painted for the Hospital of St John chapel, as was the Madonna and Child 1487 and the Hospitallers of St John. The wooden Reliquary of St Ursula 1489 is a portable Gothic shrine to Ursula’s 11,000 martyred virgins, covered with exquisite panels.
Bruges was THE creative centre for many of the great Flemish painters, especially when Duke Philip the Good (ruled 1419-67) was commissioning art. Hans Memling, plus Jan van Eyck painted his stunning altarpiece Adoration of the Mystic Lamb in Bruges (1432). Hugo van der Goes (1440-82) also worked in Bruges and left his Portarini Altarpiece c1475, painted for a rich Italian banker working in Bruges. Groeninge Museum is a 1930 building with a fine collection of Flemish Old Masters: Jan van Eyck, Hugo van der Goes, Hans Memling, Petrus Christus, David Gerard, Pieter Pourbus and Hieronymus Bosch. And some C17th Dutch art.
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St John Altarpiece by Hans Memling
Today this economic failure to thrive has had an ironic effect. Bruges was snap-frozen in time and is the best preserved medieval city in western Europe. Even the solid medieval town walls were only torn down in the mid C19th.
The C20th has brought new life because tourists love the medieval heritage, and chocolate. The new harbour of Zeebrugge, 16ks from the city, also brought new industries. Bruges is also home to many interesting art galleries eg The Absolute Art Gallery which promotes the artwork of young and talented Belgian artists, and of international artists - paintings, sculptures, installations and photographs. But the greatest modern fame came from the film, In Bruges (2008), that starred two Irish hitmen, filmed across the city’s iconic cityscape.
The Bruges Triennial 2018 | Liquid City will gather artists and architects from around the world to leave their mark on the city's public space. From May-September 2018, impressive constructions of contemporary artists and architects will appear in the historic heart of the city.
The settlement very quickly became an important harbour close to the North Sea. Inside the city, the river and canals became the vital communication links. By the C14th Bruges was the starting point of a commercial transport road to the Rhineland; traders from all over came to sell their products and to buy Flemish cloth.
Markt Place, outdoor coffee shops and sculpture (top)
The Beguinage (second photo)Growing from a few North German towns in the late 1100s, the German Hanseatic League dominated Baltic maritime trade for three centuries along the Northern European coast. Bruges became a port of even greater importance when it joined the Hanseatic League.
St Saviour’s Church was founded in C10th and added to later eg the high altar is C17th. Serious fires may have been the result of wars, accidents or iconoclastic destruction. But some lovely part of this church still stand: C15th choir stalls with the Knights of the Golden Fleece’s arms, organ, cloisters and treasury.
The Beguinage was founded by Margaret of Constantinople, countess of Flanders in the mid C13th. Some women were the bereft widows or daughters of knights killed in the Holy Crusades, women who did not want to be secluded nuns but who wanted to do good works. The Beguinage is still a green space and lovely whitewashed houses; the Beguine Museum enables visitors to feel the C13th.
Markt Place is a central, large square used for all social and political activities. On one side, the medieval belfry looms 272' over Markt Place, the proud symbol of the wealth of Bruges since 1282. And there were renovations added during C15th glory days. Inside the belfry, see the treasury room; then up 366 steps, past the C18th carillon and onto the roof. The 47 bells chime each day.
On the east side of the square is the neo-Gothic Provincial Palace. From 1850, it was used to house the provincial government meetings. Then it became a government meeting hall and now a ceremonial building-exhibition space.
The Basilica of the Holy Blood (mid C12th) was built on the site that the First Count of Flanders built his fort. It didn't become a chapel until the bones of St Basil the Great AND Holy Blood of Jesus Christ were brought from the Holy Land or Constantinople (C12th). The ground floor of this double church has its original darkish Romanesque character, while the upper chapel is a totally Gothic storey built in the C15th.
The relic of the Holy Blood is always in the upper chapel, in a tiny crystal phial with a golden stopper hung with silver chains. Only on May’s Ascension Day does it move around the town in proud procession. The relic is the responsibilities of the Confraternity of the Precious Blood, town worthies celebrated in Pieter Pourbus’ Triptych of the Brotherhood.
By C14th, Bruges, Ghent and Ypres were the three centres of Belgium's amazing cloth trade, using first class raw English wool, ideally suited for weaving Flanders’ luxury cloth. Banking and merchant houses from all over Europe thrived in Bruges. The population boomed!
Joined to the Holy Blood Basilica is the old Town Hall. It was built from light cream sandstone in the Gothic style in the late C14th. The facade has octagonal turrets, arched and ribbed windows, and statues of all the counts of Flanders. The Gothic Hall above has stunning murals depicting the major events in Bruges’ history.
By C14th, Bruges, Ghent and Ypres were the three centres of Belgium's amazing cloth trade, using first class raw English wool, ideally suited for weaving Flanders’ luxury cloth. Banking and merchant houses from all over Europe thrived in Bruges. The population boomed!
Joined to the Holy Blood Basilica is the old Town Hall. It was built from light cream sandstone in the Gothic style in the late C14th. The facade has octagonal turrets, arched and ribbed windows, and statues of all the counts of Flanders. The Gothic Hall above has stunning murals depicting the major events in Bruges’ history.
Basilica of the Holy Blood, exterior (top) and
Gothic upper chapel with blood relic (below)
And see the Church of Notre Dame. Work began on the nave and aisles in c1230 but, typically, more changes were made in the 14th and C15th. The huge tower is 122ms high! Inside Notre Dame Church is Michelangelo's only known sculptural piece in Belgium, Virgin and Child 1504 in marble. It was brought from Tuscany by a Flemish merchant.
Opposite Our Lady Church is St John’s Hospital, founded in 1188 and one of the oldest in Europe. It still functions as a hospital today, but a dispensary and an old ward have been fitted out as they were back then. In one of the hospital’s old chapels the Hans Memling Museum is located. This artist spent most of his career in Bruges.
Among the amazing collection of Memling paintings to be found in Bruges is the altarpiece called The Mystic Marriage of St Catherine 1479, painted for the Hospital of St John chapel, as was the Madonna and Child 1487 and the Hospitallers of St John. The wooden Reliquary of St Ursula 1489 is a portable Gothic shrine to Ursula’s 11,000 martyred virgins, covered with exquisite panels.
Bruges was THE creative centre for many of the great Flemish painters, especially when Duke Philip the Good (ruled 1419-67) was commissioning art. Hans Memling, plus Jan van Eyck painted his stunning altarpiece Adoration of the Mystic Lamb in Bruges (1432). Hugo van der Goes (1440-82) also worked in Bruges and left his Portarini Altarpiece c1475, painted for a rich Italian banker working in Bruges. Groeninge Museum is a 1930 building with a fine collection of Flemish Old Masters: Jan van Eyck, Hugo van der Goes, Hans Memling, Petrus Christus, David Gerard, Pieter Pourbus and Hieronymus Bosch. And some C17th Dutch art.
St John's Hospital and Memling Museum along one of the canals
The decline of Bruges' wealth started in C15th: terrible silting up of the Zwin meant that ships could no longer transport goods to and from Bruges. Plus competition with the bigger harbour of Antwerp resulted in less commercial activity. Sadly the country's wealthiest merchants left Bruges and took their business to Antwerp. The only building flourish were houses and warehouses with stepped gables that were built along the canals throughout the C17th.
Today this economic failure to thrive has had an ironic effect. Bruges was snap-frozen in time and is the best preserved medieval city in western Europe. Even the solid medieval town walls were only torn down in the mid C19th.
The C20th has brought new life because tourists love the medieval heritage, and chocolate. The new harbour of Zeebrugge, 16ks from the city, also brought new industries. Bruges is also home to many interesting art galleries eg The Absolute Art Gallery which promotes the artwork of young and talented Belgian artists, and of international artists - paintings, sculptures, installations and photographs. But the greatest modern fame came from the film, In Bruges (2008), that starred two Irish hitmen, filmed across the city’s iconic cityscape.
The Bruges Triennial 2018 | Liquid City will gather artists and architects from around the world to leave their mark on the city's public space. From May-September 2018, impressive constructions of contemporary artists and architects will appear in the historic heart of the city.