I've long been interested in Leipzig’s musical connections. Now I'll summarise the details published in Discover Leipzig and focus on the historic Bose House-museum.
Johann Sebastian Bach (1685-1750) was active in Leipzig’s musical life from 1723 on. He was responsible for the services and special ceremonies at the churches of St Nicholas and St Thomas. And, as the city's Director Musices, he was also charged with the organisation of a wide range of secular events. He directed an association of professional performers and musically active students.
Many of his major compositions were written in Leipzig, including annual cycles of choral cantatas, St John and St Matthew Passions, Christmas Oratorio, Art of the Fugue and his Mass in B Minor. Since the C19th no end of effort has been put into the study and interpretation of Bach's works in Leipzig, and several institutions, societies and competitions have been established.
The Leipzig Music Trail is an easy way to explore the musicians who lived and worked in the city. The sites lie on a 5km stroll that winds through the city centre, marked by curved steel inserts in the ground. See the Bose Family HomeA C16th front home is one of the oldest buildings on the square outside St Thomas’s Church. The twin-aisled Renaissance entrance hall had impressive Tuscan columns and a portal with its porphyry Romanesque arch. The Bach family later lived across the street in St Thomas’ School, now demolished.
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Johann Sebastian Bach (1685-1750) was active in Leipzig’s musical life from 1723 on. He was responsible for the services and special ceremonies at the churches of St Nicholas and St Thomas. And, as the city's Director Musices, he was also charged with the organisation of a wide range of secular events. He directed an association of professional performers and musically active students.
Many of his major compositions were written in Leipzig, including annual cycles of choral cantatas, St John and St Matthew Passions, Christmas Oratorio, Art of the Fugue and his Mass in B Minor. Since the C19th no end of effort has been put into the study and interpretation of Bach's works in Leipzig, and several institutions, societies and competitions have been established.
The Leipzig Music Trail is an easy way to explore the musicians who lived and worked in the city. The sites lie on a 5km stroll that winds through the city centre, marked by curved steel inserts in the ground. See the Bose Family HomeA C16th front home is one of the oldest buildings on the square outside St Thomas’s Church. The twin-aisled Renaissance entrance hall had impressive Tuscan columns and a portal with its porphyry Romanesque arch. The Bach family later lived across the street in St Thomas’ School, now demolished.
Bose Haus, Leipzig
now the Johann Sebastian Bach Museum
In 1710, the home was acquired by Georg Heinrich Bose, an affluent manufacturer of gold and silver products, who had it turned into a prestigious Baroque merchant’s residence. The side wings and back building were newly erected by the Bose family. The façade of the front building has a two-storey bay window. In the rear building, Bose installed a magnificent banqueting/concert hall, fitted with wall mirrors, a musicians’ gallery and a movable ceiling painting.
In 1745 Bose’s son-in-law Johann Zacharias Richter acquired the parental home, adding an extensive art collection of his own, and opening it to the public. From 1765 it was opened to connoisseurs on one afternoon each week for two hours. Among the celebrities who viewed the art treasures were Moses Mendelssohn, Christoph Martin Wieland, Johann Wolfgang von Goethe, Johann Heinrich Wilhelm Tischbein and Jean Paul. The collection remained with the family until it was sold by auction in 1810. Some of these paintings are in Leipzig Museum of Fine Arts today.
In 1893, the instrument collector Paul de Wit opened a private museum of music history in the old Bose House. Apart from historical music instruments, the Paul de Wit's Museum of Music History gathered musical manuscripts, letters and portraits of composers and instrument makers. Until de Wit’s death in 1925, the house was a meeting place for instrument makers, artists and publishers.
In 1973 the director of the Bach Archive erected a small Bach memorial in the Bose House entrance hall. Extensive reconstruction took place in March 1985, then the Bach Archive was moved into what was now called the Johann Sebastian Bach Museum Leipzig. The first permanent exhibition was spread across four display rooms on one floor of the front building, as well as two small rooms for temporary exhibitions. More extension was added to the museum in 2000 and in 2008–2010, by including some of the neighbouring building at the back of the baroque courtyard.
Today its twelve thematically structured exhibition rooms are dedicated to the life/works of JS Bach, his family and to researching his rare original manuscripts. Displays include a double bass played in Bach’s orchestra, surviving furniture from his personal household and Bach’s organ console from Leipzig’s St John’s Church which he played in the 1740s.
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Felix Mendelssohn Bartholdy (1809-47) was born in Hamburg. He was the nephew of the philosopher Moses Mendelssohn and was one of the finest figures ever to emerge in the 19th century music world. In Feb 1827 the première of his Symphony in C Minor at the Gewandhaus became the first public performance of his works in Leipzig. As Leipzig's important Gewandhaus Kapellmeister, Felix was responsible for reforming the musical life of the city, instigating the “Bach Renaissance” in Germany. During his years in Leipzig he worked hard to turn the orchestra into one of the best in Europe. He shared in the founding of the Leipzig Conservatory in 1843, and was very pleased that the first permanent staff included Robert Schumann.
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Mendelssohn Museum, Leipzig
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The late-classical building houses the Mendelssohn Museum which was first opened to visitors in 1997. The composer lived here from 1835 until his death, and his study and salon, where Wagner, Schumann and Berlioz visited, have been faithfully restored. Sunday morning concerts are still held today in the renovated music salon.
Until March 2013, the offices of the University of Leipzig’s Music Faculty were located in the building and the music branch of the University Library as well. Then the extended Mendelssohn House reopened in 2014 with a new floor. Since October 2017, the world's only permanent exhibition about Felix’s talented older sister Fanny Hensel can be found in a number of rooms.
In 1893, the instrument collector Paul de Wit opened a private museum of music history in the old Bose House. Apart from historical music instruments, the Paul de Wit's Museum of Music History gathered musical manuscripts, letters and portraits of composers and instrument makers. Until de Wit’s death in 1925, the house was a meeting place for instrument makers, artists and publishers.
In 1973 the director of the Bach Archive erected a small Bach memorial in the Bose House entrance hall. Extensive reconstruction took place in March 1985, then the Bach Archive was moved into what was now called the Johann Sebastian Bach Museum Leipzig. The first permanent exhibition was spread across four display rooms on one floor of the front building, as well as two small rooms for temporary exhibitions. More extension was added to the museum in 2000 and in 2008–2010, by including some of the neighbouring building at the back of the baroque courtyard.
Today its twelve thematically structured exhibition rooms are dedicated to the life/works of JS Bach, his family and to researching his rare original manuscripts. Displays include a double bass played in Bach’s orchestra, surviving furniture from his personal household and Bach’s organ console from Leipzig’s St John’s Church which he played in the 1740s.
Two exhibition rooms in the Johann Sebastian Bach Museum
Felix Mendelssohn Bartholdy (1809-47) was born in Hamburg. He was the nephew of the philosopher Moses Mendelssohn and was one of the finest figures ever to emerge in the 19th century music world. In Feb 1827 the première of his Symphony in C Minor at the Gewandhaus became the first public performance of his works in Leipzig. As Leipzig's important Gewandhaus Kapellmeister, Felix was responsible for reforming the musical life of the city, instigating the “Bach Renaissance” in Germany. During his years in Leipzig he worked hard to turn the orchestra into one of the best in Europe. He shared in the founding of the Leipzig Conservatory in 1843, and was very pleased that the first permanent staff included Robert Schumann.
The late-classical building houses the Mendelssohn Museum which was first opened to visitors in 1997. The composer lived here from 1835 until his death, and his study and salon, where Wagner, Schumann and Berlioz visited, have been faithfully restored. Sunday morning concerts are still held today in the renovated music salon.
Until March 2013, the offices of the University of Leipzig’s Music Faculty were located in the building and the music branch of the University Library as well. Then the extended Mendelssohn House reopened in 2014 with a new floor. Since October 2017, the world's only permanent exhibition about Felix’s talented older sister Fanny Hensel can be found in a number of rooms.