The Canton Museum of Art in Ohio began as the Little Civic Art Gallery above Canton's Carnegie Library in 1935. In time the gallery brought 3 works into its permanent collection, including their first watercolour, by Clyde Singer. Although the collection would grow in different ways in the coming decades, this selection anticipated the eventual collection focus of the Canton Museum of Art. In 1971, Ralph Wilson began donating works from his considerable art collection to the museum. His first donation included watercolours by Charles Demuth, Lyonel Feininger, John Marin, Maurice Prendergast and Alfred Maurer.
Ralph Wilson continued to donate his own works to the museum until he died in 1979. By then, Wilson had donated 40+ quality works on paper by American artists, eventually becoming the heart of Canton’s collection. Further growth of the Collection came with more fine watercolours by Andrew and Jamie Wyeth.
Canton’s permanent collection already had masters like Edward Hopper & Winslow Homer. Now the Canton Museum of Art is presenting a special exhibition, American Masters: Watercolours from the CMA Permanent Collection.
The central feature of the exhibition is the Museum's most recent acquisition: an 1890 Impressionist work Bleak House Broadstairs by the American artist, Childe Hassam (1859-1935). Major water-colours by Winslow Homer, Edward Hopper, George Luks, John Marin, Maurice Prendergast and John Singer Sargent are also featured in this special exhibition, which is on view until April 2018.
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Bleak House Broadstairs, 1890
By Childe Hassam
watercolour, 36 x 25cm
Canton Museum of Art
Frederick Childe Hassam (1859-1935) was born in Mass, descendent of a C17th English immigrant. Raised in a cultured home, Hassam decided early on to become an artist. He left high school to work for important Boston publishers and began training as a wood-engraver and illustrator.
Early in his career, the artist dropped his Christian name Frederick. With his olive skin, the artist was thought by many to be Middle Eastern, a mistake he allowed to continue. In the mid-1880s, he started adding an Islamic-type crescent moon on his work.
In 1886 Hassam left for on a 3 year stay in Paris and enrolled at the Académie Julian. Hassam saw a wide range of French and foreign styles but clearly it was Impressionism that really attracted this American. His 1887 Grand Prix Day demonstrates that after only a short time in Paris, he created a street scene that was Impressionist in its composition, broken brushstrokes and stronger colours.
Hassam eventually returned home with the technique and sensibilities of the French Impressionists, modified by American realism. Impressionism flourished in the 1880s in Boston without the furious protest it had aroused in France. So in 1898 Hassam felt free to join the artists Julian Alden Weir and John Henry Watchman in founding the Ten American Painters, which went on to include Frank Weston Benson, Robert Reid and Edmund Tarbell etc. This group of Impressionists arranged popular exhibitions.
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Bowl of Goldfish, 1912
Childe Hassam
64 x 77 cm
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Allies Day May 1917
by Childe Hassam
93 x 77 cm
National Gallery of Art
Ralph Wilson continued to donate his own works to the museum until he died in 1979. By then, Wilson had donated 40+ quality works on paper by American artists, eventually becoming the heart of Canton’s collection. Further growth of the Collection came with more fine watercolours by Andrew and Jamie Wyeth.
Canton’s permanent collection already had masters like Edward Hopper & Winslow Homer. Now the Canton Museum of Art is presenting a special exhibition, American Masters: Watercolours from the CMA Permanent Collection.
The central feature of the exhibition is the Museum's most recent acquisition: an 1890 Impressionist work Bleak House Broadstairs by the American artist, Childe Hassam (1859-1935). Major water-colours by Winslow Homer, Edward Hopper, George Luks, John Marin, Maurice Prendergast and John Singer Sargent are also featured in this special exhibition, which is on view until April 2018.
By Childe Hassam
watercolour, 36 x 25cm
Canton Museum of Art
Frederick Childe Hassam (1859-1935) was born in Mass, descendent of a C17th English immigrant. Raised in a cultured home, Hassam decided early on to become an artist. He left high school to work for important Boston publishers and began training as a wood-engraver and illustrator.
Early in his career, the artist dropped his Christian name Frederick. With his olive skin, the artist was thought by many to be Middle Eastern, a mistake he allowed to continue. In the mid-1880s, he started adding an Islamic-type crescent moon on his work.
In 1886 Hassam left for on a 3 year stay in Paris and enrolled at the Académie Julian. Hassam saw a wide range of French and foreign styles but clearly it was Impressionism that really attracted this American. His 1887 Grand Prix Day demonstrates that after only a short time in Paris, he created a street scene that was Impressionist in its composition, broken brushstrokes and stronger colours.
Hassam eventually returned home with the technique and sensibilities of the French Impressionists, modified by American realism. Impressionism flourished in the 1880s in Boston without the furious protest it had aroused in France. So in 1898 Hassam felt free to join the artists Julian Alden Weir and John Henry Watchman in founding the Ten American Painters, which went on to include Frank Weston Benson, Robert Reid and Edmund Tarbell etc. This group of Impressionists arranged popular exhibitions.
Childe Hassam
64 x 77 cm
David Owsley Art Museum, Muncie, Indiana
Hassam created 2,000+ oils, watercolours, pastels and drawings, thus achieving critical acclaim at home. While Hassam is well known for his lush gardens and boulevard scenes of Manhattan and Paris, examine his Flag Series. These 30 paintings were created in support of the Allied efforts in WWI eg The Avenue in the Rain (1917), vibrant street scenes, filled with patriotic banners.
Hassam created 2,000+ oils, watercolours, pastels and drawings, thus achieving critical acclaim at home. While Hassam is well known for his lush gardens and boulevard scenes of Manhattan and Paris, examine his Flag Series. These 30 paintings were created in support of the Allied efforts in WWI eg The Avenue in the Rain (1917), vibrant street scenes, filled with patriotic banners.
by Childe Hassam
93 x 77 cm
National Gallery of Art
Together, the 7 artists featured in this "American Masters" exhibition contribute importantly to the nation's cultural heritage and the evolution of watercolour painting. Water colour is one of the most challenging mediums for artists to use; the colours need to be carefully controlled or they bleed into one another. In the century following the Civil War, water-colour painting became an important American medium, and it was used more freely than anywhere else in the world. "American Masters" showcases creative excellence in this special American medium.
Canton was a museum dedicated to American art, with a focus on watercolours. So the museum’s collection needed a Hassam that would complement the American Masters collection. Bleak House Broadstairs 1890 was that painting! Clearly inspired by the French style in the late 1800s, the image of a graceful young woman reading a book in summer, and walking a waterway in coastal Kent, is still fresh. Remember that Broadstairs was the town where Charles Dickens often spent his summer holidays, writing David Copperfield inside that very house.
The provenance of this painting traces back via private collections to the painter himself; Bleak House was exhibited in 1906 at the Philadelphia Water Colour Club. Almost 120 years after being painted, Bleak House is being exhibited until April 2018, with other prized works from the water-colour collection, including Winslow Homer, Edward Hopper and John Singer Sargent.
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Corfu The Terrace,
By John Singer Sargent,
watercolour 53 x 40 cm
Museum Fine Arts, Boston
For many museums, watercolour paintings have been undervalued and therefore intentionally under-represented in their collections. But for Ohio’s Canton Museum of Art, C19th and early C20th American watercolours came to the represent the primary focus of the collection, as seen in this American Masters Exhibition. And this exhibition also has a second role: to show how Childe Hassam became America's favourite Impressionist.
Canton was a museum dedicated to American art, with a focus on watercolours. So the museum’s collection needed a Hassam that would complement the American Masters collection. Bleak House Broadstairs 1890 was that painting! Clearly inspired by the French style in the late 1800s, the image of a graceful young woman reading a book in summer, and walking a waterway in coastal Kent, is still fresh. Remember that Broadstairs was the town where Charles Dickens often spent his summer holidays, writing David Copperfield inside that very house.
The provenance of this painting traces back via private collections to the painter himself; Bleak House was exhibited in 1906 at the Philadelphia Water Colour Club. Almost 120 years after being painted, Bleak House is being exhibited until April 2018, with other prized works from the water-colour collection, including Winslow Homer, Edward Hopper and John Singer Sargent.
By John Singer Sargent,
watercolour 53 x 40 cm
Museum Fine Arts, Boston