Sacred sites in India have long been associated with water; the Golden Temple at Amritsar seems almost to float in a vast shimmering pool. The pool was created from a forest lake, which the Buddha himself is said to have visited and at which the founder of Sikhism, Guru Nanak, meditated.
When the site later became the main shrine of Sikhism, the lake was enlarged and given the name Amritsar/nectar of immortality pool. Building of the Sri Harmandir Sahib/abode of God, began in the late C16th for the fifth Sikh guru.
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When the site later became the main shrine of Sikhism, the lake was enlarged and given the name Amritsar/nectar of immortality pool. Building of the Sri Harmandir Sahib/abode of God, began in the late C16th for the fifth Sikh guru.
Golden Temple at Amritsar and causeway,
surrounded by a large pool
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Pure gold urns that line the terrace
This Sikh place of worship welcomed those of all faiths and of all levels of society. It was constructed so that the architecture itself suggested openness and reflected the central tenets of Sikhism. Once inside, visitors had to observe respect by removing their shoes and washing their feet, covering their heads and refraining from smoking, eating meat or drinking alcohol. 100,000 people visit daily, especially for the huge canteen that serves free food. Sharing meals with strangers is important in Sikhism, being bound up with the principle of equality.
The most important shrine in the complex is the Harmindir, built by Arjan Dev to house the holy scripture of Sikhism. In the C19th, Maharaja Ranjit Singh covered the temple with gold. The dome, an inverted lotus, is decorated with gold and precious stones and the holy scripture rests on a throne. The complex also contains holy trees with special powers, planted by the first high priest.
The other sacred shrine is the Akal Takht, which symbolises God’s authority on earth.
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The mural painting decorations are floral patterns interspersed with animal motifs. There are about 300 different patterns on the walls, which look like hung Persian carpets. The only mural depicting human figures is on the wall behind the northern narrow stairway leading to the top of the shrine, representing Guru Gobind Singh on horseback. The lower mural works were in embossed copper, ivory inlay and other materials, whereas the upper portions of the walls of the Golden Temple are covered with heavily gilded, beaten copper plates. The designs are Mughalish, but the introduction of human figures, never seen in Mughal decorations, reveals Sikh origin.
The ivory inlay work is to be seen only on the doors of the Darshani Deorhi. The gate is made of shisham wood, the front overlaid with silver, the back inlaid with ivory. The silver-plated front is ornamented only with panels. At the back are square and rectangular panels with geometrical and floral designs, and animals.
surrounded by a large pool
This Sikh place of worship welcomed those of all faiths and of all levels of society. It was constructed so that the architecture itself suggested openness and reflected the central tenets of Sikhism. Once inside, visitors had to observe respect by removing their shoes and washing their feet, covering their heads and refraining from smoking, eating meat or drinking alcohol. 100,000 people visit daily, especially for the huge canteen that serves free food. Sharing meals with strangers is important in Sikhism, being bound up with the principle of equality.
The most important shrine in the complex is the Harmindir, built by Arjan Dev to house the holy scripture of Sikhism. In the C19th, Maharaja Ranjit Singh covered the temple with gold. The dome, an inverted lotus, is decorated with gold and precious stones and the holy scripture rests on a throne. The complex also contains holy trees with special powers, planted by the first high priest.
The other sacred shrine is the Akal Takht, which symbolises God’s authority on earth.
The Guru is carried around on a golden throne
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All about Sikhs has provided all the following information on Hari Mandir Sahib’s Art and Architecture. Major Cole described the Temple as an adaptation of Mohammadan styles, flavoured with a good deal of Hindu tradition. Once taken over by the Sikhs, this synthesis of Hindu and Muslim influences evolved into the wonderful Indian rococo art often seen in the Punjab. Instead of building the temple on a high plinth in the Hindu style, Guru Arjan had it built in a depression so that worshippers had to go down the steps to enter. Also it had four entrances, symbolising the fact that it is open to all faiths and castes without distinction; it is not elevated, so people have to walk down into it; and it is surrounded by holy water. The Hari Mandir, the causeway and Darshani Deorhi were probably completed in 1776.
The main structure rises from the centre of the sacred pool, 150 metres square, approached by a 60 metres causeway. An archway on the western side of the pool opens on to the causeway, bordered with marble balustrades, and standard lamps set upon marble columns. The 52-metre square-based Hari Mandir, to which the causeway leads, stands on a 20-metre square platform. Its lower parts are of white marble, but the upper parts are covered with plates of gilded copper. Inside on the ground floor on a raised platform is the Guru Granth Sahib/scripture, placed under a gorgeous canopy and studded with jewels.
The interior of the Shish Mahal is ornamented with small pieces of mirror, skilfully inlaid in the ceiling, and walls richly embellished with mostly floral designs. Further above the Shish Mahal is again a small square pavilion, considerably small both at its base as well as in its elevation, surmounted by a low fluted golden dome, lined at its base with a number of smaller domes. The walls of the two lower storeys, forming parapets, terminate with several rounded pinnacles. There are four kiosks at the corners. The combination of several dozens of different domes of gilded copper create a unique and dazzling effect, enhanced by the reflection in the water below.
So the typical art and architectural features of the Golden Temple can be summed up as (1) chhatris-pavilions which ornament the parapets (2) use of fluted domes covered with gilded copper (3) balconised windows thrown out on bay-windows with cornices and (4) enrichment of walls, arches and ceilings by mural art.
Maharaja Ranjit Singh repaired the principal building in 1802. To roof the temple with sheets of gilded copper, he donated Rs. 500,000 and the first plate on the temple was fixed in 1803 and completed by 1823. The archway under the Darshani Deorhi was embellished with sheets of gilded copper by the Raja of Jind. Being the central shrine of the Sikhs, almost every Sikh leader of any pretension contributed to its architectural and decorative additions.
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Amritsar's position on the Indian border with Pakistan
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Guru Granth Sahib/central religious scripture of Sikhism,
under a bejewelled canopy
The main structure rises from the centre of the sacred pool, 150 metres square, approached by a 60 metres causeway. An archway on the western side of the pool opens on to the causeway, bordered with marble balustrades, and standard lamps set upon marble columns. The 52-metre square-based Hari Mandir, to which the causeway leads, stands on a 20-metre square platform. Its lower parts are of white marble, but the upper parts are covered with plates of gilded copper. Inside on the ground floor on a raised platform is the Guru Granth Sahib/scripture, placed under a gorgeous canopy and studded with jewels.
The interior of the Shish Mahal is ornamented with small pieces of mirror, skilfully inlaid in the ceiling, and walls richly embellished with mostly floral designs. Further above the Shish Mahal is again a small square pavilion, considerably small both at its base as well as in its elevation, surmounted by a low fluted golden dome, lined at its base with a number of smaller domes. The walls of the two lower storeys, forming parapets, terminate with several rounded pinnacles. There are four kiosks at the corners. The combination of several dozens of different domes of gilded copper create a unique and dazzling effect, enhanced by the reflection in the water below.
So the typical art and architectural features of the Golden Temple can be summed up as (1) chhatris-pavilions which ornament the parapets (2) use of fluted domes covered with gilded copper (3) balconised windows thrown out on bay-windows with cornices and (4) enrichment of walls, arches and ceilings by mural art.
Maharaja Ranjit Singh repaired the principal building in 1802. To roof the temple with sheets of gilded copper, he donated Rs. 500,000 and the first plate on the temple was fixed in 1803 and completed by 1823. The archway under the Darshani Deorhi was embellished with sheets of gilded copper by the Raja of Jind. Being the central shrine of the Sikhs, almost every Sikh leader of any pretension contributed to its architectural and decorative additions.
Modelled on the Golden Temple's dome, a mammoth gate now greets those entering the holy city of Amritsar.
The mural painting decorations are floral patterns interspersed with animal motifs. There are about 300 different patterns on the walls, which look like hung Persian carpets. The only mural depicting human figures is on the wall behind the northern narrow stairway leading to the top of the shrine, representing Guru Gobind Singh on horseback. The lower mural works were in embossed copper, ivory inlay and other materials, whereas the upper portions of the walls of the Golden Temple are covered with heavily gilded, beaten copper plates. The designs are Mughalish, but the introduction of human figures, never seen in Mughal decorations, reveals Sikh origin.
The ivory inlay work is to be seen only on the doors of the Darshani Deorhi. The gate is made of shisham wood, the front overlaid with silver, the back inlaid with ivory. The silver-plated front is ornamented only with panels. At the back are square and rectangular panels with geometrical and floral designs, and animals.
In June 1984, supporters of a militant Sikh were demanding the establishment of Khalistan, a separate homeland for Sikhs. Prime Minister Indira Gandhi sent in the army, but the supporters were well armed and hundreds of soldiers were killed. Eventually the order was given to shell the sacred Akal Takht. Many more people died. Six months later, Indira Gandhi was assassinated by her Sikh bodyguards.
The Golden Temple is a regularly renewed symbol, glowing in richness and colour. But as part of the essential machinery of a living faith, it is a shrine and not a museum.