The Jacobites, supporters of King James II, were the original opponents of the Glorious Revolution of 1688. The Act of Union in 1707 had led to the creation of Great Britain, with a single parliament at Westminster. Scotland did not adapt easily to this new relationship because, for many Scots, the union delivered misery and economic disadvantage. So half the nation wanted to return to the independence of Stuart Scotland.
For landed and business-minded Scots who had increased access to a new British trading empire, the Union was loved. And Presbyterian Scots, who were still fearful of popery, certainly did not want to see another Stuart king in Scotland.
The Stuarts’ main strongholds remained in the Scottish Highlands and Islands. By the early C18th the Highlanders were not the only people looking to overthrow the British government; unhappy citizens on both sides of the border, including persecuted Irish Catholics and unhappy English Tories, shared the goal. And the Jacobite cause received support from France, Spain, Sweden, the Papacy and Russia, all of whom wanted to weaken the British government.
Charles Edward Stuart aka Bonnie Prince Charlie (1720-88) was born in Rome, where his family had been living in exile. He was the grandson of the deposed Catholic King James II who’d escaped the Protestant William of Orange's takeover in 1688. James’ grandson soon became the popular focus of the Jacobite cause. However to the British government, the Young Pretender was just another rebel insurgent.
In 1745, Charles left France for the Scottish Highlands to enlist the clans in rebellion against the proper Hanoverian British King George II. Charles’ plan was to make his father, James Francis Edward (1688–1766), the British king.
At first the few clan chiefs Charles contacted showed little interest in the Stuarts. But the social structure of the Highland clans allowed him to raise a sizable body of men. At first the Stuart campaign went well. After the capture of Edinburgh and assuring his forces that support was on its way from France, Charles marched south. They defeated the British government’s army in East Lothian, then crossed into England and successfully laid siege to Carlisle then Derby. The “invaders” caused great anxiety in the south.
Once it became clear that no help was coming from France, Charles retreated to Scotland. After several more battles, in Ap 1646 they fought at Culloden Moor, near Inverness. The Duke of Cumberland’s 9,000-strong force immediately destroyed the Jacobite army of 5,000 Highlanders.
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My favourite exhibit was a silver travelling canteen, filled with every implement a prince could possibly need. The outer case of the canteen was decorated with the 3-feathered badge of the Prince of Wales, while the lid was chased with bands of linked thistles, a figure of St Andrew and Charles’ motto. Because the so-called Prince of Wales was made a Knight of the Thistle shortly after his birth, the collar and badge of the Most Nobel Order of the Thistle was prominent. This was the highest honour in Scotland.
The canteen set contained 31 pieces, including a perfectly fitted: wine-taster, cruet, teaspoon and marrow scoop, corkscrew, nutmeg grater, salt and pepper shakers, wine beakers, drinking bowl and a knife-fork set. The outer case, a beautiful example of rococo craftsmanship, was decorated with bands of linked thistles, flowers and leaves, representing the collar of the Order of the Thistle.
Charles brought the canteen with him to Scotland in 1745. When the Rebellion ended in Ap 1746 with the defeat of the Jacobite army at Culloden, the canteen was lost. The victorious government commander, William Duke of Cumberland, captured the canteen and gave it to one of his aides, George Kepple, later the Earl of Albemarle. The silver canteen remained in his family until 1963; after a successful fundraising campaign to prevent it being sold abroad, it was finally acquired by the Museum in 1984.
Who made the canteen? The entire extended family of Edinburgh goldsmith Ebenezer Oliphant were dedicated Jacobite soldiers or Jacobite lay supporters. This elaborate travelling set, made by Ebenezer Oliphant in 1740-41, seemed to have been a 21st birthday gift for Prince Charles.
The Stewart Society was very proud of Oliphant who ended his apprenticeship in 1737. He had learned the skill from James Mitchellson, his master and the most gifted goldsmith in Scotland. I have seen other Oliphant silver art from the 1740s, largely clean, minimally decorated silver footed bowls, tea pots or salvers. By 1753 Ebenezer had prospered so well that he was able to help the family buy back the estates which had been forfeited after the 1746 defeat. Did he continue with richly decorated silver, like the canteen? Or was this a one-off art work, specially designed to proclaim Prince Charles’ right to the British throne?
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Alan Ramsay’s previously lost portrait of Bonnie Prince Charlie,
1745
Scottish National Portrait Gallery
There are two ironies in this story. Firstly after having spent a total of only 14 months in his “homeland”, Prince Charles eventually escaped to France and never set foot in Scotland again. Secondly the greatest gold and silver artists EVER were Protestant Huguenots expelled in 1685 from France by the Catholic king, Louis XIV. How ironic that when Catholic Prince Charles wanted the best silver art in 1740, he had to commission the pieces from British silver artists.
I never liked King James II, the Old Pretender, the Young Pretender or any part of the Jacobite cause, but I would sell my house and the beloved spouse’s soul to own that piece of Jacobite silver art.
For landed and business-minded Scots who had increased access to a new British trading empire, the Union was loved. And Presbyterian Scots, who were still fearful of popery, certainly did not want to see another Stuart king in Scotland.
The Stuarts’ main strongholds remained in the Scottish Highlands and Islands. By the early C18th the Highlanders were not the only people looking to overthrow the British government; unhappy citizens on both sides of the border, including persecuted Irish Catholics and unhappy English Tories, shared the goal. And the Jacobite cause received support from France, Spain, Sweden, the Papacy and Russia, all of whom wanted to weaken the British government.
Charles Edward Stuart aka Bonnie Prince Charlie (1720-88) was born in Rome, where his family had been living in exile. He was the grandson of the deposed Catholic King James II who’d escaped the Protestant William of Orange's takeover in 1688. James’ grandson soon became the popular focus of the Jacobite cause. However to the British government, the Young Pretender was just another rebel insurgent.
In 1745, Charles left France for the Scottish Highlands to enlist the clans in rebellion against the proper Hanoverian British King George II. Charles’ plan was to make his father, James Francis Edward (1688–1766), the British king.
At first the few clan chiefs Charles contacted showed little interest in the Stuarts. But the social structure of the Highland clans allowed him to raise a sizable body of men. At first the Stuart campaign went well. After the capture of Edinburgh and assuring his forces that support was on its way from France, Charles marched south. They defeated the British government’s army in East Lothian, then crossed into England and successfully laid siege to Carlisle then Derby. The “invaders” caused great anxiety in the south.
Once it became clear that no help was coming from France, Charles retreated to Scotland. After several more battles, in Ap 1646 they fought at Culloden Moor, near Inverness. The Duke of Cumberland’s 9,000-strong force immediately destroyed the Jacobite army of 5,000 Highlanders.
silver travelling canteen
made by Ebenezer Oliphant in 1740-1
height 165 mm
After the Rebellion, the Hanoverian British government decided to permanently end the Jacobite threat. Many Jacobites were imprisoned or executed; estates were forfeited, the clan system dismantled; weaponry, traditional dress and bagpipes were outlawed. The powers that had underpinned the authority of clan chiefs over their clansmen were abolished. Charles survived the Battle of Culloden but became a fugitive for five months. He eventually escaped to France and never set foot in Scotland again.
Once Bonnie Prince Charlie was permanently gone, the Jacobite cause quickly became a nostalgic theme, expressed through poetry and song, especially in Scotland.
The National Museum of Scotland in Edinburgh has a large exhibition from May-Nov 2017. The Bonnie Prince Charlie and the Jacobites Exhibition includes 300+ objects, plus a selection of works on rare loan from the Vatican.
height 165 mm
After the Rebellion, the Hanoverian British government decided to permanently end the Jacobite threat. Many Jacobites were imprisoned or executed; estates were forfeited, the clan system dismantled; weaponry, traditional dress and bagpipes were outlawed. The powers that had underpinned the authority of clan chiefs over their clansmen were abolished. Charles survived the Battle of Culloden but became a fugitive for five months. He eventually escaped to France and never set foot in Scotland again.
Once Bonnie Prince Charlie was permanently gone, the Jacobite cause quickly became a nostalgic theme, expressed through poetry and song, especially in Scotland.
The National Museum of Scotland in Edinburgh has a large exhibition from May-Nov 2017. The Bonnie Prince Charlie and the Jacobites Exhibition includes 300+ objects, plus a selection of works on rare loan from the Vatican.
the separate elements of the travelling canteen
My favourite exhibit was a silver travelling canteen, filled with every implement a prince could possibly need. The outer case of the canteen was decorated with the 3-feathered badge of the Prince of Wales, while the lid was chased with bands of linked thistles, a figure of St Andrew and Charles’ motto. Because the so-called Prince of Wales was made a Knight of the Thistle shortly after his birth, the collar and badge of the Most Nobel Order of the Thistle was prominent. This was the highest honour in Scotland.
The canteen set contained 31 pieces, including a perfectly fitted: wine-taster, cruet, teaspoon and marrow scoop, corkscrew, nutmeg grater, salt and pepper shakers, wine beakers, drinking bowl and a knife-fork set. The outer case, a beautiful example of rococo craftsmanship, was decorated with bands of linked thistles, flowers and leaves, representing the collar of the Order of the Thistle.
Charles brought the canteen with him to Scotland in 1745. When the Rebellion ended in Ap 1746 with the defeat of the Jacobite army at Culloden, the canteen was lost. The victorious government commander, William Duke of Cumberland, captured the canteen and gave it to one of his aides, George Kepple, later the Earl of Albemarle. The silver canteen remained in his family until 1963; after a successful fundraising campaign to prevent it being sold abroad, it was finally acquired by the Museum in 1984.
Who made the canteen? The entire extended family of Edinburgh goldsmith Ebenezer Oliphant were dedicated Jacobite soldiers or Jacobite lay supporters. This elaborate travelling set, made by Ebenezer Oliphant in 1740-41, seemed to have been a 21st birthday gift for Prince Charles.
The Stewart Society was very proud of Oliphant who ended his apprenticeship in 1737. He had learned the skill from James Mitchellson, his master and the most gifted goldsmith in Scotland. I have seen other Oliphant silver art from the 1740s, largely clean, minimally decorated silver footed bowls, tea pots or salvers. By 1753 Ebenezer had prospered so well that he was able to help the family buy back the estates which had been forfeited after the 1746 defeat. Did he continue with richly decorated silver, like the canteen? Or was this a one-off art work, specially designed to proclaim Prince Charles’ right to the British throne?
1745
Scottish National Portrait Gallery
There are two ironies in this story. Firstly after having spent a total of only 14 months in his “homeland”, Prince Charles eventually escaped to France and never set foot in Scotland again. Secondly the greatest gold and silver artists EVER were Protestant Huguenots expelled in 1685 from France by the Catholic king, Louis XIV. How ironic that when Catholic Prince Charles wanted the best silver art in 1740, he had to commission the pieces from British silver artists.
I never liked King James II, the Old Pretender, the Young Pretender or any part of the Jacobite cause, but I would sell my house and the beloved spouse’s soul to own that piece of Jacobite silver art.