I only get to enjoy one overseas excursion a year, so I am paying very close attention to Christopher Allen’s Caravaggio and beyond: exhibitions in US, Europe, Australia. Allen wrote that this has been an eventful year for Caravaggio and the Caravaggisti, starting at Easter with the flurry of excitement about a picture found in an attic, claimed to be an original Caravaggio but was quite obviously a copy by another hand of the famous Judith Beheading Holofernes. Then the Thyssen-Bornemisza Museumin Madrid showed Caravaggio and the Painters of the North from June-Sep.
Now Beyond Caravaggio is at the National Gallery in London, showing works by Caravaggio and his followers in Italy and further north. The show includes some master-pieces by Caravaggio and other important figures. It is particularly interesting for us to realise how certain themes that Caravaggio occasionally dealt with, eg card cheats or gypsies, became the stock in trade of later imitators.
The Metropolitan Museum in New York has Valentin de Boulogne: Beyond Caravaggio. Valentin (1591-1632) was Caravaggio’s most interesting direct follower, after Caravaggio’s death. He had a poetic depth that went far beyond most of his contemporaries, and he aspired to the seriousness of history painting. In the 1620s, Valentin de Boulogne and another young Frenchman, Nicolas Poussin, were regarded as the two most promising emerging artists in Rome; but while Poussin went on to become a giant, Valentin’s career was cut short by his untimely death in 1632. So only Poussin remained a hero to modernists like Cezanne. This exhibition, with a scholarly catalogue of the highest quality, marks the belated rehabilitation of a great painter.
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Among other international exhibitions of art-historical significance are Drawings for Paintings in the Age of Rembrandt at the National Gallery in Washington, which will be followed at the same museum by Della Robbia: Sculpting with Colour in Renaissance Florence — a comprehensive exhibition of the distinctive Florentine style of polychromatic ceramic sculpture.
Paris' most remarkable exhibition is Icons of Modern Art at the new Fondation Louis Vuitton. This show brings together important works from the later C19th and early C20th that were assembled by Sergei Shchukin, a wealthy collector and art lover. The collection was confiscated during the Russian Revolution and later broken up under Stalin, so we are lucky the works are now being seen together.
Another collection that suffered from the disapproval and censorship of a revolutionary regime is that of the Museum of Contemporary Art in Tehran; works of modern art acquired in the time of the Shah were largely deemed unsuitable for exhibition after the Islamic Revolution of 1979, but attitudes have recently grown more liberal. Now 60+ of this art will be shown in an exhibition at Berlin’s Gemaldegalerie.
The Gemaldegalerie also has an exhibition on Hieronymus Bosch and His Pictorial World in the 16th and 17th Centuries. It marks the 500th anniversary of the death of this eccentric but highly sophisticated painter best known for his intricate and proto-surreal compositions like The Garden of Earthly Delights in the Prado. Note its disquieting depiction of the earthly paradise, and its evocations of sinful humanity and grisly punishment in hell.
An even more dramatic story of the impact of war and revolution on art collecting is told in an exhibition at Scuderie del Quirinale in Rome: Il Museo universale marks the 200th anniversary of the return of hundreds of paintings and sculptures looted from churches, convents and palaces by the French army in the time of Napoleon. The return to Italy of so many masterpieces that had been rendered homeless by the suppression of monasteries led to the creation of important museums in Italy. Think of the Brera in Milan and the Accademia in Venice.
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Icons of Modern Art. The Shchukin Collection
starring Henri Matisse
Now Beyond Caravaggio is at the National Gallery in London, showing works by Caravaggio and his followers in Italy and further north. The show includes some master-pieces by Caravaggio and other important figures. It is particularly interesting for us to realise how certain themes that Caravaggio occasionally dealt with, eg card cheats or gypsies, became the stock in trade of later imitators.
The Metropolitan Museum in New York has Valentin de Boulogne: Beyond Caravaggio. Valentin (1591-1632) was Caravaggio’s most interesting direct follower, after Caravaggio’s death. He had a poetic depth that went far beyond most of his contemporaries, and he aspired to the seriousness of history painting. In the 1620s, Valentin de Boulogne and another young Frenchman, Nicolas Poussin, were regarded as the two most promising emerging artists in Rome; but while Poussin went on to become a giant, Valentin’s career was cut short by his untimely death in 1632. So only Poussin remained a hero to modernists like Cezanne. This exhibition, with a scholarly catalogue of the highest quality, marks the belated rehabilitation of a great painter.
Beyond Caravaggio exhibition
National Gallery in London
ends 15th Jan. 2017
National Gallery in London
ends 15th Jan. 2017
Among other international exhibitions of art-historical significance are Drawings for Paintings in the Age of Rembrandt at the National Gallery in Washington, which will be followed at the same museum by Della Robbia: Sculpting with Colour in Renaissance Florence — a comprehensive exhibition of the distinctive Florentine style of polychromatic ceramic sculpture.
Paris' most remarkable exhibition is Icons of Modern Art at the new Fondation Louis Vuitton. This show brings together important works from the later C19th and early C20th that were assembled by Sergei Shchukin, a wealthy collector and art lover. The collection was confiscated during the Russian Revolution and later broken up under Stalin, so we are lucky the works are now being seen together.
Another collection that suffered from the disapproval and censorship of a revolutionary regime is that of the Museum of Contemporary Art in Tehran; works of modern art acquired in the time of the Shah were largely deemed unsuitable for exhibition after the Islamic Revolution of 1979, but attitudes have recently grown more liberal. Now 60+ of this art will be shown in an exhibition at Berlin’s Gemaldegalerie.
The Gemaldegalerie also has an exhibition on Hieronymus Bosch and His Pictorial World in the 16th and 17th Centuries. It marks the 500th anniversary of the death of this eccentric but highly sophisticated painter best known for his intricate and proto-surreal compositions like The Garden of Earthly Delights in the Prado. Note its disquieting depiction of the earthly paradise, and its evocations of sinful humanity and grisly punishment in hell.
An even more dramatic story of the impact of war and revolution on art collecting is told in an exhibition at Scuderie del Quirinale in Rome: Il Museo universale marks the 200th anniversary of the return of hundreds of paintings and sculptures looted from churches, convents and palaces by the French army in the time of Napoleon. The return to Italy of so many masterpieces that had been rendered homeless by the suppression of monasteries led to the creation of important museums in Italy. Think of the Brera in Milan and the Accademia in Venice.
starring Henri Matisse
Fondation Louis Vuitton in Paris
end 20th Feb 2017.
The Tate in London has a survey of the art of Paul Nash, while the British Museum has South Africa: The Art of a Nation and an exhibition of French Portrait Drawings from Clouet to Courbet. For something completely different, the National Maritime Museum at Greenwich has an exhibition devoted to the beautiful and ultimately tragic Emma Hamilton, best known as the mistress of Lord Nelson. And the National Gallery has a wonderful exhibition on the artists of the Heidelberg School: Australia’s Impressionists.
Here in Australia, there are significant exhibitions in most of our big cities over the summer period. In Canberra, the National Gallery’s Versailles show is open and runs until Easter. It stars 130 paintings, tapestries, gilded furniture, monumental statues and personal items from Louis XIV to Marie Antoinette, The gallery also has a long-running exhibition on Artists of the Great War. The National Museum’s History of the World in 100 Objects, from the British Museum, continues until the end of January.
Sydney's Art Gallery NSW has Nude, an interesting if uneven loan exhibition from the Tate, as well as a survey of Oriental calligraphic traditions. The State Library has Planting Dreams, an exhibition devoted to the art of the garden.
The National Gallery of Victoria has a number of substantial exhibitions. Its main summer show devoted to David Hockney who is said to be Britain’s greatest living painter. They also have a retrospective of John Olsen, for whom an equivalent claim is made in Australia. Later on the NGV will host an impressive exhibition of work by Vincent van Gogh, who has also been the subject of a recent forging controversy. And the Heide Museum has an exhibition devoted to Georgia O’Keeffe, Margaret Preston and Grace Cossington Smith, which will later come to the Art Gallery NSW.
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Château de Versailles
Now at the National Gallery, Canberra
In Brisbane, No 1 Neighbour is a survey of recent art in Papua New Guinea, from the last decade of Australian rule to the present. In W.A, Travellers and Traders at the Maritime Museum in Fremantle is a fascinating exhibition about the Dutch connection with Western Australia and, more broadly, the trading networks the Dutch established between Europe and East Asia during their heyday in the C17th. Hobart’s Museum of Old and New Art has an exhibition in which four scientists have been invited to ponder On the Origins of Art.
**
If I, Hels, could only select one exhibition, it would be a] Emma Hamilton in Greenwich, b] Icons of Modern Art at the new Fondation Louis Vuitton or c] Travellers and Traders at the Maritime Museum in Fremantle. The beloved would have opted for the Caravaggio and the Painters of the North, at the Thyssen-Bornemisza Museum in Madrid.
end 20th Feb 2017.
The Tate in London has a survey of the art of Paul Nash, while the British Museum has South Africa: The Art of a Nation and an exhibition of French Portrait Drawings from Clouet to Courbet. For something completely different, the National Maritime Museum at Greenwich has an exhibition devoted to the beautiful and ultimately tragic Emma Hamilton, best known as the mistress of Lord Nelson. And the National Gallery has a wonderful exhibition on the artists of the Heidelberg School: Australia’s Impressionists.
Here in Australia, there are significant exhibitions in most of our big cities over the summer period. In Canberra, the National Gallery’s Versailles show is open and runs until Easter. It stars 130 paintings, tapestries, gilded furniture, monumental statues and personal items from Louis XIV to Marie Antoinette, The gallery also has a long-running exhibition on Artists of the Great War. The National Museum’s History of the World in 100 Objects, from the British Museum, continues until the end of January.
Sydney's Art Gallery NSW has Nude, an interesting if uneven loan exhibition from the Tate, as well as a survey of Oriental calligraphic traditions. The State Library has Planting Dreams, an exhibition devoted to the art of the garden.
The National Gallery of Victoria has a number of substantial exhibitions. Its main summer show devoted to David Hockney who is said to be Britain’s greatest living painter. They also have a retrospective of John Olsen, for whom an equivalent claim is made in Australia. Later on the NGV will host an impressive exhibition of work by Vincent van Gogh, who has also been the subject of a recent forging controversy. And the Heide Museum has an exhibition devoted to Georgia O’Keeffe, Margaret Preston and Grace Cossington Smith, which will later come to the Art Gallery NSW.
Madame de Pompadour as the beautiful gardener, 1754–55
by Carle Van Loo Château de Versailles
Now at the National Gallery, Canberra
In Brisbane, No 1 Neighbour is a survey of recent art in Papua New Guinea, from the last decade of Australian rule to the present. In W.A, Travellers and Traders at the Maritime Museum in Fremantle is a fascinating exhibition about the Dutch connection with Western Australia and, more broadly, the trading networks the Dutch established between Europe and East Asia during their heyday in the C17th. Hobart’s Museum of Old and New Art has an exhibition in which four scientists have been invited to ponder On the Origins of Art.
**
If I, Hels, could only select one exhibition, it would be a] Emma Hamilton in Greenwich, b] Icons of Modern Art at the new Fondation Louis Vuitton or c] Travellers and Traders at the Maritime Museum in Fremantle. The beloved would have opted for the Caravaggio and the Painters of the North, at the Thyssen-Bornemisza Museum in Madrid.