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Canadian soldier-heroes, 1917-8: Alfred Munnings

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Alfred Munnings (1878-1959) was born in Mendham Suffolk in 1878, son of a miller. When he finished his apprenticeship, young Alfred painted rural scenes, gypsies and horses which sold well and were hung from time to time in the Royal Academy.

The First World War meant that families had no money for luxuries.. and art objects were no longer being bought. Munnings attempted to enlist in a Hampshire regiment, but he was knocked back every time on health grounds. Finally in 1917, he was given a civilian job in a horse depot near Reading, checking tens of thousands of Canadian horses for disease and treating them. Only then could the horses be sent to serve in artillery, cavalry, or supply units in France.

Munnings, Canadian Troops at a Musical Evening in France,  
27 x 33 cm, 1918 
Taylor Gallery London. 

I am very grateful to the Canadian War Museum for their references. They believed that Canadian history owed much to Sir Max Aitken, Lord Beaver­brook, a New Brunswick newspaper baron who'd moved to Britain. As a friend of Sir Sam Hughes, Canada's Minister of Militia, Lord Beaverbrook had been given charge of overseas military records. Intent on publicising Canada's wartime achievements, he produced a detailed account of Canadian operations, launched a programme of military photography that included the sale of prints, pioneered front-line cine-photog­raphy, and published a daily newspaper for soldiers, The Canadian Daily Record. Whatever one thought of his politics, Beaverbrook’s salute to Canadian families was heroic.

The crucial role Canadians played in the Second Battle of Ypres (April 1915) was a top priority for Beaverbrook. In 1916 he commissioned a British artist, Richard Jack, to recreate it in paint. Then, with 100 artists being despatched under the auspices of his Canadian War Memorials Fund, Beaverbrook covered the Belgian, British and Canadian armies operations all over Europe. The project eventually brought Canada some 800 military paintings and sculptures.

It was this Canadian War Memorials Fund art programme that Alfred Munnings joined in 1918, specifically to paint the Canadian Cavalry Brigade and Canadian Forestry Corps.

Perfect! For an artist who loved horses and loved painting them, Munnings was in his element. Throughout the history of warfare, horses had played important roles - as pack animals, transporting infantry, hauling artillery and in cavalry operations. And European armies of course included specialised cavalry units.

Munnings, Canadians Felling a Tree in the Vosges, 
51 x 61 cm, c1918 
Canadian War Museum 

And not just horses. France and Britain needed timber for the war effort but logging skills were more readily available in Canada. So in early 1916 the British government asked that a forestry battalion be raised in Canada for service in Europe. The Dominion acted quickly; 1,600 men were recruited and money was spent on both logging and milling equipment. The 224th Canadian Forestry Battalion was sent.

Three more forestry battalions were raised, and soon the foresters numbered some 22,000. Attached personnel (Canadian Army Service Corps, Canadian Army Medical Corps, Chinese labourers, prisoners of war) brought the total strength to 31,000. Many Canadians who would otherwise have been ineligible for military duty were able to serve in the forestry units. Munnings was delighted, in April 1918, to be assigned to paint the Canadians at work. He first went through the Normandy logging camps and from there he travelled to eastern France.

Munnings, Gen Jack Seely, Commander of the Canadian Cavalry Brigade, 
1918 
National Gallery of Canada, Ottawa.

When Munnings was recalled to London in mid 1918, he completed some works and transferred 44 paintings to the Canadian War Memorials Fund. The artist considered his experiences with Canadian units to have been among the most rewarding events of his life.


Canadian War Museum, Ottawa

The Canadian War Museum in Ottawa is Canada’s national museum of military history. The concept of a military history museum originated in 1880 but the current building that we see in the photo didn't  open until 2005.




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