My students are always fascinated by the Golden Age of Spanish art and architecture; there was a powerful religious element that grew in importance with the Counter-Reformation and soon spread to territories conquered by Spain in the New World. Even though the Spanish Missions came to the USA after Spain’s Golden Age ended, my blog is full of posts about their role in architecture, religion, communications, defence, employment and training. The question the students and I have not asked ourselves is what culture(s) was Spanish colonial culture replacing? In Sante Fe, at least, we find some of the answer.
Before WW1, the American Southwest was undergoing great change. Travellers from inside the USA and from outside the country were drawn to the area and its vibrant Native American cultures, mobilised by the railways that were now servicing the West and the South. In the years after WW1 ended, European and American writers and artists believed Sante Fe in particular was very special – DH Lawrence planned a community there; Georgia O’Keeffe painted the landscape over and over again; art photographer Ansel Adams made many trips; and patron of the arts Mabel Dodge actually moved to Sante Fe.
![]()
![]()
Museum of Indian Arts & Culture, Santa Fe
Before WW1, the American Southwest was undergoing great change. Travellers from inside the USA and from outside the country were drawn to the area and its vibrant Native American cultures, mobilised by the railways that were now servicing the West and the South. In the years after WW1 ended, European and American writers and artists believed Sante Fe in particular was very special – DH Lawrence planned a community there; Georgia O’Keeffe painted the landscape over and over again; art photographer Ansel Adams made many trips; and patron of the arts Mabel Dodge actually moved to Sante Fe.
opened in 1987.
![]()
Right from the earliest part of the new century, anthropologist Edgar Lee Hewett founded the Museum of New Mexico (1909). His goal was to collect and preserve South-western Native American material culture, given that museums in the NE corner of the country did not seem overly committed to the task.
In a completely separate move, John D Rockefeller founded the Laboratory of Anthropology (1927), to study the Southwest's indigenous cultures.
Only in 1947 did the two institutions merge, coordinating and curating a complex collection of New Mexican and Southwestern anthropological artefacts.
What was needed next was expanded space for exhibitions. In 1977, the New Mexico legislature searched for a design for a new, more professional space, erected with adobe architecture. The Museum of Indian Arts & Culture finally opened in 1987 with a collection that concentrated on Southwestern textiles, pottery, baskets, jewellery, contemporary art, and artefacts chronicling the everyday life of New Mexico's long period of civilisation.
In the following years, planning began for an additional wing. In 1997 a major permanent exhibition called Here, Now & Always, was developed by a curatorial team composed of Southwest Indians and museum professionals. Here, Now & Always tells the true stories of Native American communities in the Southwest, using objects drawn from the Museum's collections.
Academics and students also love the Museum of Indian Arts & Culture’s docent library, resource centre and Museum Studies Centre.
In a completely separate move, John D Rockefeller founded the Laboratory of Anthropology (1927), to study the Southwest's indigenous cultures.
Only in 1947 did the two institutions merge, coordinating and curating a complex collection of New Mexican and Southwestern anthropological artefacts.
What was needed next was expanded space for exhibitions. In 1977, the New Mexico legislature searched for a design for a new, more professional space, erected with adobe architecture. The Museum of Indian Arts & Culture finally opened in 1987 with a collection that concentrated on Southwestern textiles, pottery, baskets, jewellery, contemporary art, and artefacts chronicling the everyday life of New Mexico's long period of civilisation.
In the following years, planning began for an additional wing. In 1997 a major permanent exhibition called Here, Now & Always, was developed by a curatorial team composed of Southwest Indians and museum professionals. Here, Now & Always tells the true stories of Native American communities in the Southwest, using objects drawn from the Museum's collections.
Academics and students also love the Museum of Indian Arts & Culture’s docent library, resource centre and Museum Studies Centre.
one display cabinet in the Museum of Indian Arts & Culture,
Sante Fe is not the biggest city in the world, having a population of some 145,000 people. But it does museology well. Museum Hill in Santa Fe is a very accessible group of four city museums that have fine collections of Native American art and artefacts. The Museum of Indian Arts & Culture is close to the Wheelwright Museum of the American Indian, the Museum of International Folk Art and my personal favourite, The Museum of Spanish Colonial Art.
The Museum of Spanish Colonial Art, founded in 1925, is the only museum in the country dedicated to the art of the Spanish colonial period including southern Colorado and Hispanic New Mexico. It is big enough to display the collection of 3700+ colonial objects and works of art. The museum's Spanish Colonial architecture, a Pueblo Revival building, was designed by architect John Gaw Meem in 1930. The style was inspired by a mixture of Spanish Colonial, mission, and Indian Pueblo architectural forms, perfect historically and suitable for the climate.
![]()
Museum Hill, Santa Fe
Sante Fe is not the biggest city in the world, having a population of some 145,000 people. But it does museology well. Museum Hill in Santa Fe is a very accessible group of four city museums that have fine collections of Native American art and artefacts. The Museum of Indian Arts & Culture is close to the Wheelwright Museum of the American Indian, the Museum of International Folk Art and my personal favourite, The Museum of Spanish Colonial Art.
The Museum of Spanish Colonial Art, founded in 1925, is the only museum in the country dedicated to the art of the Spanish colonial period including southern Colorado and Hispanic New Mexico. It is big enough to display the collection of 3700+ colonial objects and works of art. The museum's Spanish Colonial architecture, a Pueblo Revival building, was designed by architect John Gaw Meem in 1930. The style was inspired by a mixture of Spanish Colonial, mission, and Indian Pueblo architectural forms, perfect historically and suitable for the climate.
