Aix en Provence’s most famous resident was Paul Cezanne (1839-1906) who was born and died in that city. So I was not surprised when the post “Cezanne and Zola's favourite brasserie ...in Aix” was read by more people in the bloggersphere than just about any other post I had written. Good food, great wine, a great 20th century artist, sublime weather and Mediterranean scenery to die for – what is there not to love?
I noted that Pablo Picasso bought a chateau on the edge of Aix next to Mont Sainte-Victoire, the exact mountain made famous by his hero Cezanne. But what of all the other early 20th century artists who loved the Côte d’Azur?
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The Pierre Bonnard Museum, which I reviewed when it first opened in June 2011, was the first in the world dedicated to this post-Impressionist master of colour. His sunlit rooms and gardens, filled with his wife Marthe and sundry relatives and friends, shined with intense colour. See, for example, Bonnard’s painting The Port of Cannes 1927 above.
Vallauris was already well known for its ceramics, but Picasso made the industry even more famous. The artist asked that several copies be produced of some of his most important pieces and that Madoura had the exclusive rights to their production. The Ceramics Museum is thus a living reminder of Picasso’s and other ceramic artists’ contributions.
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The old Grimaldi family castle in Vallauris was built in the Renaissance style and later converted into the town hall of Antibes. After WW1, the chateau became known as the Grimaldi Museum. Since it was the home of artist Pablo Picasso after WW2, today the castle has been turned into the Picasso Museum, one of the first museums anywhere to be dedicated to Picasso.
I noted that Pablo Picasso bought a chateau on the edge of Aix next to Mont Sainte-Victoire, the exact mountain made famous by his hero Cezanne. But what of all the other early 20th century artists who loved the Côte d’Azur?
Riviera Art Trail
Tristan Rutherford mentioned some famous and not so famous sites on the Riviera Art Trail: the route that the Surrealist photographer Man Ray followed to Mougins; the mule track Henri Matisse followed to Antibes; Pierre Bonnard loved Cannet; Raoul Dufy and Pierre-Auguste Renoir spent endless time in Cannes’ countryside; Picasso moved permanently to Vallauris in the 1950s; the writer and artist Jean Cocteau favoured Plage Passable in Villefranche-sur-Mer; the painter Paul Signac liked the coves around Saint-Tropez. Chaim Soutine visited his favourite southern coast towns each summer, with memorable landscapes being painted in Cagnes-sur-Mer, next to Nice.
Let me focus on two small towns on this Riviera Art Trail. As an older man Pierre Bonnard (1867-1947) stayed in Le Cannet near Cannes off and on between the wars, renting until 1926 when he finally bought the house called Le Bosquet. This was the house and studio on the Cote d'Azur hills where he retired and remained quietly until his death in 1947, the perfect place for an artist who celebrated Mediterranean light.
Linking Le Bosquet house and the Bonnard Museum are paths that the painter used to walk. The trail is a gateway into the Bonnard world, especially his analysis of the landscape and light of the French south. Today several panoramic views along the trail remind us art buffs about Bonnard’s experiences in landscape art.
Linking Le Bosquet house and the Bonnard Museum are paths that the painter used to walk. The trail is a gateway into the Bonnard world, especially his analysis of the landscape and light of the French south. Today several panoramic views along the trail remind us art buffs about Bonnard’s experiences in landscape art.
Pierre Bonnard,
The Port of Cannes 1927
Museum of Fine Arts in Montreal
Bonnard Museum's first exhibition starred 40 of his paintings, including Late Impressionist-Nabi landscapes and still-life paintings with textured surfaces. What I did not mention, but Tristan Rutherford did, were the six alfresco plaques showing the artworks that Bonnard painted in situ.
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Pablo Picasso (1881–1973) moved permanently to Vallauris, next to the town of Antibes, in the 1950s when he was a mature artist. There he slowly learned the skills of pottery art at the Galerie Madoura. The artist must have been busy – he created 4,000 pieces of ceramics during his life there.
Vallauris was already well known for its ceramics, but Picasso made the industry even more famous. The artist asked that several copies be produced of some of his most important pieces and that Madoura had the exclusive rights to their production. The Ceramics Museum is thus a living reminder of Picasso’s and other ceramic artists’ contributions.
Ceramics made by Picasso
in Vallauris
Photo credit: Jane Kahan Gallery
The old Grimaldi family castle in Vallauris was built in the Renaissance style and later converted into the town hall of Antibes. After WW1, the chateau became known as the Grimaldi Museum. Since it was the home of artist Pablo Picasso after WW2, today the castle has been turned into the Picasso Museum, one of the first museums anywhere to be dedicated to Picasso.
Picasso himself donated important works to the museum, especially his paintings The Goat and La Joie de Vivre. Jacqueline Roque married Picasso in Vallauris in March 1961 and she too presented the museum with many important Picasso art objects. Today the museum holds 245 works by Picasso, collected from 1952 on.
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On the walls of a ruined Romanesque chapel, in the Castle at Vallauris, lies the Musée National Picasso’s War and Peace. In 1952, Picasso had decided to erect a temple there with his monumental composition. He painted two huge panels, one portraying the horrors of war and one depicting the benefits of peace. Another panel was added at the far end of the chapel to make the link between the two themes
Picasso Museum (left) and Cathedral of Antibes (right),
overlooking the Mediterranean Sea.