The Museum Square in Amsterdam is the key place in the Dutch capital regarding art and culture, higlighting the Rijksmuseum and Stedelijk Museum, the Concertgebouw and the Van Gogh Museum.
In a 3-part video series called Van Gogh Experts Explain: His Final Months, curators and researchers talk about the multitude of works Van Gogh produced, what inspired him and how he felt then.
van Gogh Museum, Amsterdam
Arch Daily
Museum Square, Amsterdam
Van Gogh Museum (L) and the Rijksmuseum (R),
Wiki
Three storeys of art on display
Amsterdamtips.com
Dedicated to the life and works of Vincent van Gogh (1853-90) and his contemporaries, this is one of the most famous museums in Europe. Housed across 2 adjoining buildings, most of the 200 paintings and 400 drawings by the legendary artist are in the site designed by Dutch architect Gerrit Rietveld (d1964), part of the modern De Stijl art movement. This first section of the museum was opened in 1973.
In 1999 the museum opened the new Exhibition Wing, designed by Japanese architect Kurokawa Kisho. Connected by an entrance hall, and used for major temporary exhibitions, this wing had an open design that used geometrical forms and allowed natural light into the exhibition space. Kurokawa buried most of his building, connecting it with the old museum through an underground passage, to minimise its visual impact on the environment. But note the peculiar curved roof that continued to attract attention.
The core of the collection came from Theo van Gogh, Vincent’s very patient younger brother. It remained in the family until 1962, when with the Dutch government help, the artist’s nephew Vincent van Gogh (1890–1978), donated the collection to the Vincent van Gogh Foundation. Then nephew Vincent, founder of Van Gogh Museum gave the collection to the museum on a permanent loan.
In 2014, construction began on a new entrance hall in Museum Square. The new wing has a basement below and two floors above, built in the open space adjacent to the main museum building. The transparent entrance hall was built to allow its very light appearance. The curved glass panels collaborated with the vertical glass fins, which in turn worked together with the building’s steel structure. Inside, the glass staircase is supported by glass arches. The new entrance building is the largest glass structure in the nation.
The museum has since added works acquired via purchase and donation. It featured a research library that was opened to the public, and an auditorium for public lectures and films about van Gogh. The 2nd floor featured temporary exhibitions and the top floor showcased Impressionist and Postimpressionist works by van Gogh’s contemporaries: works by C19th French sculptor, Auguste Rodin, and paintings by Paul Gauguin, Édouard Manet, Claude Monet, Émile Bernard, Mary Cassatt and Henri de Toulouse-Lautrec.
The biggest collection of Van Gogh’s works in the world, it is home to both the iconic Self-portrait (1888) and Sunflowers (1889), as well as The Painter of Sunflowers (1888), a Paul Gauguin portrait of Van Gogh that combines the two works.
In the troubled genius’ expressive paintings and drawings, learn about Van Gogh’s personal, often difficult history - single, lonely, never sold a single painting, relied on his brother for money. The exhibitions include c700 of the artist’s letters, giving a first-hand look into his state of mind, and his brother's.
Vincent van Gogh then lived in the French village of Auvers-sur-Oise near Paris. He was feeling optimistic and made some of his famous masterpieces, including Wheatfield with Crows, Doctor Paul Gachet and The Church of Auvers-sur-Oise. He was highly productive, often creating more than a painting a day, while experimenting with new approaches to colour, brushwork, formats and subjects. This crucial final phase in van Gogh’s career is in the Van Gogh in Auvers: His Final Months exhibition. The English-French-Dutch catalogue includes the 5 paintings that Van Gogh created in Auvers in his final months. Historical photographs and maps show the places where he worked and found his inspiration, finding things of beauty to paint around the town.
In 1999 the museum opened the new Exhibition Wing, designed by Japanese architect Kurokawa Kisho. Connected by an entrance hall, and used for major temporary exhibitions, this wing had an open design that used geometrical forms and allowed natural light into the exhibition space. Kurokawa buried most of his building, connecting it with the old museum through an underground passage, to minimise its visual impact on the environment. But note the peculiar curved roof that continued to attract attention.
The core of the collection came from Theo van Gogh, Vincent’s very patient younger brother. It remained in the family until 1962, when with the Dutch government help, the artist’s nephew Vincent van Gogh (1890–1978), donated the collection to the Vincent van Gogh Foundation. Then nephew Vincent, founder of Van Gogh Museum gave the collection to the museum on a permanent loan.
In 2014, construction began on a new entrance hall in Museum Square. The new wing has a basement below and two floors above, built in the open space adjacent to the main museum building. The transparent entrance hall was built to allow its very light appearance. The curved glass panels collaborated with the vertical glass fins, which in turn worked together with the building’s steel structure. Inside, the glass staircase is supported by glass arches. The new entrance building is the largest glass structure in the nation.
The museum has since added works acquired via purchase and donation. It featured a research library that was opened to the public, and an auditorium for public lectures and films about van Gogh. The 2nd floor featured temporary exhibitions and the top floor showcased Impressionist and Postimpressionist works by van Gogh’s contemporaries: works by C19th French sculptor, Auguste Rodin, and paintings by Paul Gauguin, Édouard Manet, Claude Monet, Émile Bernard, Mary Cassatt and Henri de Toulouse-Lautrec.
The biggest collection of Van Gogh’s works in the world, it is home to both the iconic Self-portrait (1888) and Sunflowers (1889), as well as The Painter of Sunflowers (1888), a Paul Gauguin portrait of Van Gogh that combines the two works.
Self-Portrait with Grey Felt Hat, 1887
Van Gogh Museum, Amsterdam
TicketLens
Vincent van Gogh then lived in the French village of Auvers-sur-Oise near Paris. He was feeling optimistic and made some of his famous masterpieces, including Wheatfield with Crows, Doctor Paul Gachet and The Church of Auvers-sur-Oise. He was highly productive, often creating more than a painting a day, while experimenting with new approaches to colour, brushwork, formats and subjects. This crucial final phase in van Gogh’s career is in the Van Gogh in Auvers: His Final Months exhibition. The English-French-Dutch catalogue includes the 5 paintings that Van Gogh created in Auvers in his final months. Historical photographs and maps show the places where he worked and found his inspiration, finding things of beauty to paint around the town.
But inspiring as his new surroundings were, his loneliness and depression mounted. Dr Paul Gachet was a doctor with whom van Gogh lived, after he was released after a year in Saint-Rémy-de-Provence’s mental asylum. Gachet cared for Van Gogh till the end, showing how Van Gogh first experimented with etching, while revealing his special connection with Dr Gachet. Then the artist took his own life in July 1890.
Portrait of Dr. Gachet,
by van Gogh, 1890. Wiki
auction at Christie's NY 1990, for US$82.5 million
Thankfully he left behind a fine body of work, so this exhibition is a great opportunity to see 50+ paintings and 30 drawings by van Gogh that have never before been shown together. It features special loans from private collections and museums around the world, and an audio guide is available in 11 languages. But remember to book early because 1.5 million visitors arrive here each year!
In a 3-part video series called Van Gogh Experts Explain: His Final Months, curators and researchers talk about the multitude of works Van Gogh produced, what inspired him and how he felt then.